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New highlights on degradation process of verdigris from easel paintings
6 references·11 citing·41 second hop
New highlights on degradation process of verdigris from easel paintings (2014)New highlights on degradation process of …Verdigris pigment: a mixture of compounds. Input from Raman spectroscopy (2010)Verdigris pigment: a mixture …X-ray absorption investigations of copper resinate blackening in a XV century Italian painting (2008)X-ray absorption investigatio…Chemical Reactions Between Copper Pigments and Oleoresinous Media (2002)Chemical Reactions Between Co…Thin-Film Study on the Oxidation of Linseed Oil in the Presence of Selected Copper Pigments (1999)Thin-Film Study on the Oxidat…VERDIGRIS AND COPPER RESINATE (1970)VERDIGRIS AND COPPER RESINATEThe craftsman's handbook : the Italian "Il libro dell' arte" (1960)The craftsman's handbook : th…Advanced X-ray techniques to study the alteration of pigments in paintings (2025)Advanced X-ray techniques to …Cu(II)-binder complexes in azurite and malachite pictorial mixtures: An EPR study (2024)Cu(II)-binder complexes in az…Copper Soaps Formation in Verdigris–Linseed Oil Painting Mixtures: A Multispectroscopic Characterization (2024)Copper Soaps Formation in Ver…New insights to the interactions between amorphous georgite pigment and linseed oil binder that lead to a drastic color change (2021)New insights to the interacti…Tracing the Alteration of Verdigris Pigment through Combined Raman Spectroscopy and X-ray Diffraction, Part I (2020)Tracing the Alteration of Ver…Parchments and coloring materials in two IXth century manuscripts: On-site non-invasive multi-techniques investigation (2020)Parchments and coloring mater…Identification of green pigments and binders in late medieval painted wings from Norwegian churches (2020)Identification of green pigme…The Jacopo Tintoretto “Wedding Feast at Cana”: A non-invasive and multi-technique analytical approach for studying painting materials (2019)The Jacopo Tintoretto “Weddin…Multi-Analytical Study of Copper-Based Historic Pigments and their Alteration Products (2019)Multi-Analytical Study of Cop…Shedding light on the colours of medieval alabaster sculptures: Scientific analysis and digital reconstruction of their original polychromy (2018)Shedding light on the colours…CIM® monolith chromatography-enhanced ELISA detection of proteins in artists' paints: Ovalbumin as a case study (2016)CIM® monolith chromatography-…The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media (1980)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)The Interface Between Science and Conservation (2003)Photochemical Origin of the Darkening of Copper Acetate and Resinate Pigments in Historical Paintings (2019)New insights into the deterioration of TiO2 based oil paints: the effects of illumination conditions and surface interactions (2022)National Gallery Technical Bulletin (1979)Decay markers for the preventative conservation and maintenance of paintings (2004)Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook (2015)Metal Soaps in Art (2019)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Pigment Compendium: A Dictionary of Historical Pigments (2007)Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts (2012)‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts (2013)Pigments—the palette of organic colourants in wall paintings (2021)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Identification of Different Copper Green Pigments in Renaissance Paintings by Cluster-TOF-SIMS Imaging Analysis (2011)Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA) (2013)Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh (2014)Phytate: a Potential Conservation Agent for the Treatment of Ink Corrosion Caused by Irongall Inks (1995)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Architectural Polychromy on the Athenian Acropolis: An In Situ Non-Invasive Analytical Investigation of the Colour Remains (2022)Cu and As containing pigments in Zhejiang architecture polychrome paintings: a case study of degradation products of emerald green (2023)Infrared Spectroscopy in Conservation Science (2000)Statistics and Chemometrics for Analytical Chemistry (2005)A Novel Spectral Matching Approach for Pigment: Spectral Subsection Identification Considering Ion Absorption Characteristics (2020)Unveiling the original layers and color palette of 18th century overpainted Transylvanian icons by combined X‐ray radiography, hyperspectral imaging, and spectroscopic spot analysis (2021)Interpol review of paint, tape, and glass evidence 2019–2022 (2022)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Interpol questioned documents review 2019–2022 (2023)Identification, deterioration, and protection of organic cultural heritages from a modern perspective (2025)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections (2007)Spectroscopic analysis of works of art using a single LIBS and pulsed Raman setup (2009)Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. A multi-analytical technique approach (2011)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments (2000)The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)
this work references cited by second hop

References

  • 1970VERDIGRIS AND COPPER RESINATE144 cited
  • 1960The craftsman's handbook : the Italian "Il libro dell' arte"120 cited
  • 2002Chemical Reactions Between Copper Pigments and Oleoresinous Media74 cited
  • 2010Verdigris pigment: a mixture of compounds. Input from Raman spectroscopy65 cited
  • 1999Thin-Film Study on the Oxidation of Linseed Oil in the Presence of Selected Copper Pigments50 cited
  • 2008X-ray absorption investigations of copper resinate blackening in a XV century Italian painting50 cited

Cited by

  • 2020Identification of green pigments and binders in late medieval painted wings from Norwegian churches21 cited
  • 2020Parchments and coloring materials in two IXth century manuscripts: On-site non-invasive multi-techniques investigation21 cited
  • 2025Advanced X-ray techniques to study the alteration of pigments in paintings17 cited
  • 2019Multi-Analytical Study of Copper-Based Historic Pigments and their Alteration Products15 cited
  • 2024Cu(II)-binder complexes in azurite and malachite pictorial mixtures: An EPR study14 cited
  • 2020Tracing the Alteration of Verdigris Pigment through Combined Raman Spectroscopy and X-ray Diffraction, Part I14 cited
  • 2016CIM® monolith chromatography-enhanced ELISA detection of proteins in artists' paints: Ovalbumin as a case study13 cited
  • 2018

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Shedding light on the colours of medieval alabaster sculptures: Scientific analysis and digital reconstruction of their original polychromy
12 cited
  • 2024Copper Soaps Formation in Verdigris–Linseed Oil Painting Mixtures: A Multispectroscopic Characterization10 cited
  • 2019The Jacopo Tintoretto “Wedding Feast at Cana”: A non-invasive and multi-technique analytical approach for studying painting materials10 cited
  • 2021New insights to the interactions between amorphous georgite pigment and linseed oil binder that lead to a drastic color change9 cited