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Lessons in Blackbody Minstrelsy: Old Plantation and the Manufacture of Black Authenticity
12 references·1 citing·29 second hop
Lessons in Blackbody Minstrelsy: Old Plantation and the Manufacture of Black Authenticity (2013)Lessons in Blackbody Minstrelsy: Old Plan…All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916 (2017)All the World's a Fair: Visio…Passing for Black: Coon Songs and the Performance of Race (2010)Passing for Black: Coon Songs…Authentic Possibilities: Plantation Performance of the 1890s (2004)Authentic Possibilities: Plan…Out of sight: the rise of African American popular music, 1889-1895 (2003)Out of sight: the rise of Afr…Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910 (2000)Resistance, Parody, and Doubl…Authentic blackness: the folk in the new Negro renaissance (2000)Authentic blackness: the folk…Africans on Stage: Studies in Ethnological Show Business (2000)Africans on Stage: Studies in…Love and Theft: Blackface Minstrelsy and the American Working Class. (1996)Love and Theft: Blackface Min…Inside the minstrel mask : readings in nineteenth-century blackface minstrelsy (1996)Inside the minstrel mask : re…The romance of reunion: northerners and the South, 1865-1900 (1994)The romance of reunion: north…Blacks in Blackface: A Source Book on Early Black Musical Shows (1984)Blacks in Blackface: A Source…Blacking Up: The Minstrel Show in Nineteenth-Century America (1977)Blacking Up: The Minstrel Sho…Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography (2020)Colloquy: Shadow Culture Narr…Uncle Tom's Cabin: Before and After the Jim Crow Era (2000)Bulldaggers, Pansies, and Chocolate Babies (2010)Metroimperial Intimacies (2015)Black Female Playwrights: An Anthology of Plays before 1950. (1991)Ashley Street Blues: Racial Uplift and the Commodification of Vernacular Performance in Lavilla, Florida, 1896-1916 (2006)Brownface Minstrelsy: “José Jiménez,” the Civil Rights Movement, and the legacy of racist comedy (2014)Mega-events and urban policy (1994)"Very Bombay": Contending with the Global in an Indian Advertising Agency (2003)'The Value of Civility?' (2006)A Third Individuation: Immigration, Identity, and the Psychoanalytic Process (1995)The Autobiography of an Ex-Coloured Man (1996)Making Place, Making Race: Performances of Whiteness in the Jim Crow South (2003)Living Ethnological Exhibits: The Case of 1886 (2000)Displaying Sara Baartman, the ‘Hottentot Venus’ (2004)Examining Millie and Christine McKoy: Where Enslavement and Enfreakment Meet (2011)African American English: A Linguistic Introduction (2004)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)Signs of Difference (2019)It Ain't where you're from, it's where you're At... (1991)Love and Theft: The Racial Unconscious of Blackface Minstrelsy (1992)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)The Poetics of National and Racial Identity in Nineteenth-Century American Literature (2003)Passing : Race, Identification, and Desire (2004)From the kitchen to the parlor : language and becoming in African American women's hair care (2006)First of the Red Hot Mamas: "Coon Shouting" and the Jewish Ziegfeld Girl (1999)Black Faces, White Voices: The Politics of Dubbing in Carmen Jones (2003)Color-Blind Ideology and the Cultural Appropriation of Hip-Hop (2006)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)
this work references cited by second hop

References

  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2017All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916447 cited
  • 1994The romance of reunion: northerners and the South, 1865-1900270 cited
  • 1996Inside the minstrel mask : readings in nineteenth-century blackface minstrelsy260 cited
  • 1977Blacking Up: The Minstrel Show in Nineteenth-Century America192 cited
  • 2000Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910148 cited
  • 2003Out of sight: the rise of African American popular music, 1889-1895132 cited
  • 2000Authentic blackness: the folk in the new Negro renaissance129 cited
  • 2000Africans on Stage: Studies in Ethnological Show Business126 cited
  • 1984Blacks in Blackface: A Source Book on Early Black Musical Shows36 cited
  • 2004Authentic Possibilities: Plantation Performance of the 1890s11 cited
  • 2010Passing for Black: Coon Songs and the Performance of Race11 cited

Cited by

  • 2020Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography5 cited

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