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Representation, Aesthetics, Politics
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  • 2005AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies252 cited
  • 2003Notes from the Surface of the Image102 cited
  • 2003When Is a Photograph Worth a Thousand Words?78 cited
  • 2016INDIGENOUS MEDIA FROM U-MATIC TO YOUTUBE: MEDIA SOVEREIGNTY IN THE DIGITAL AGE65 cited
  • 2012Can Film Show the Invisible?62 cited
  • 2011THE BELLWETHER EWE: Recent Developments in Ethnographic Filmmaking and the Aesthetics of Anthropological Inquiry46 cited
  • 2003Navajo and Photography37 cited
  • 2008SPECTACLES OF SEXUALITY: Televisionary Activism in Nicaragua32 cited
  • 2012Contemporary Anthropologies of Indigenous Australia32 cited
  • 2006Turner’s Anthropology of Media and Its Legacies30 cited
  • 2015The failed image and the possessed: examples of invisibility in visual anthropology and Islam27 cited
  • 2003Yoruba Photography26 cited
  • 2003The Changing Photographic Contract25 cited
  • 2002Hegemony and discourse24 cited
  • 2013Rouch's Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film21 cited

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  • 2008Crests on Cotton: “Souvenir” T‐Shirts and the Materiality of Remembrance Among the Kwakwaka'wakw of British Columbia20 cited