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Cited by

• 1996Theoreticians, Artists and Artisans50 cited
• 1994Applying the Vagueness of Language: Poetic Strategies and Campmeeting Piety in the Mid-Nineteenth Century25 cited
• 2007The Hut and the Altar: Architectural Origins and the Public Sphere in Eighteenth-Century France23 cited
• 2007The Revered Gaze: The Medieval Imaginary of Mel Gibson's The Passion of the Christ21 cited
• 2018Discovering Medieval Song11 cited
• 2014De la nature historique des pratiques d’ingénierie10 cited
• 2021Concept cathedral and “squaring the circle”: Interpreting the Gothic cathedral of Notre Dame de Paris as a standing hymn9 cited
• 2015The Symbol at Your Door: Number and Geometry in Religious Architecture in the Greek and Latin Middle Ages9 cited
• 2020The Conceptual Design of the Octagon at Thessaloniki7 cited
• 2000The Promotion and Demotion of Whole Relics4 cited
• 2016Musical medievalism and the harmony of the spheres3 cited
• 1989Archetypal micro‐architecture: Prolegomena to theCustodias Procesionales1 cited