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''John Bull, pit, box, and gallery, said No!'': Charles Macklin and the Limits of Ethnic Resistance on the Eighteenth-Century London Stage
4 references·3 citing·24 second hop
''John Bull, pit, box, and gallery, said No!'': Charles Macklin and the Limits of Ethnic Resistance on the Eighteenth-Century London Stage (2002)''John Bull, pit, box, and gallery, said …Jews and Other "Outlandish Englishmen": Ethnic Performance and the Invention of British Identity under the Georges (2000)Jews and Other "Outlandish En…Charles Macklin (1960)Charles MacklinTeague, Shenkin and Sawney : being an historical study of the earliest Irish, Welsh and Scottish characters in English plays (1954)Teague, Shenkin and Sawney : …The stage Irishman : a history of the Irish play and stage characters from the earliest times (1937)The stage Irishman : a histor…Ireland, Enlightenment and the English Stage, 1740-1820 (2019)Ireland, Enlightenment and th…Drama, theatre, and identity in the American New Republic (2006)Drama, theatre, and identity …Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity (2005)Tales of the Philadelphia The…Jack Tar in the Streets: Merchant Seamen in the Politics of Revolutionary America (1968)Turning Turk in Othello: The Conversion and Damnation of the Moor (1997)The Cambridge History of American Theatre (1998)Defining American Urbanity: Royall Tyler, William Dunlap, and the Postrevolutionary Theater in New York (2009)Susanna and the Stage; or, Rowson Family Theatre (2011)Staging the Cherokee Othello: An Imperial Economy of Indian Watching (2016)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Playing in the Dark: Whiteness and the Literary Imagination. (1993)Cities of the dead: circum-Atlantic performance (1996)The Eighteenth-Century Commonwealthman (1959)Narratives of Enlightenment (1997)British Clubs and Societies 1580-1800 (2000)The validity of literary dialect: Evidence from the theatrical portrayal of Hiberno-English forms (1980)AFRICAN-AMERICAN ENGLISH (2001)The Cambridge History of the English Language (2001)Gender, theatre, and the origins of criticism from Dryden to Manley (2002)The Jew Bill of 1753: Masculinity, Virility, and the Nation (2005)'In a Country of Liberty?': Slavery, Villeinage and the Making of Whiteness in the Somerset Case (1772) (2011)The Cambridge History of British Theatre (2004)Eighteenth-century women poets (2005)The Cambridge History of English Literature, 1660–1780 (2005)Drama, Theatre, and Identity in the American New Republic (2005)“There’s, like, total silence again, roysh, and no one says anything” (2015)Jockey and Jenny: English Broadside Ballads and the Invention of Scottishness (2016)
this work references cited by second hop

References

  • 1960Charles Macklin110 cited
  • 2000Jews and Other "Outlandish Englishmen": Ethnic Performance and the Invention of British Identity under the Georges79 cited
  • 1954Teague, Shenkin and Sawney : being an historical study of the earliest Irish, Welsh and Scottish characters in English plays75 cited
  • 1937The stage Irishman : a history of the Irish play and stage characters from the earliest times67 cited

Cited by

  • 2006Drama, theatre, and identity in the American New Republic30 cited
  • 2019Ireland, Enlightenment and the English Stage, 1740-182022 cited
  • 2005Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity14 cited

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