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Determinants of the Demand for Live Entertainments: Some Survey-based Evidence
7 references·1 citing·32 second hop
Determinants of the Demand for Live Entertainments: Some Survey-based Evidence (2006)Determinants of the Demand for Live Enter…The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good (1997)The Willingness-to-Pay for th…Pricing as the Key to Attracting Students to the Performing Arts (1997)Pricing as the Key to Attract…A microeconometric study of theatre demand (1996)A microeconometric study of t…Major influences on the demand for opera tickets (1989)Major influences on the deman…A Theory of Rational Addiction (1988)A Theory of Rational AddictionDemand elasticities for symphony orchestras (1984)Demand elasticities for symph…Unbalanced Growth and the Demand for Performing Arts: An Econometric Analysis (1980)Unbalanced Growth and the Dem…UAE public participation in the musical arts (2016)UAE public participation in t…The Pure Theory of Public Expenditure (1954)Prospect Theory: An Analysis of Decision under Risk (1979)Prospect theory: An analysis of decision under risk (1988)Local Festivals and Tourism Promotion: The Role of Public Assistance and Visitor Expenditure (2003)Assessing the economic value of a world heritage site and willingness-to-pay determinants: A case of Changdeok Palace (2006)Commensurability and sustainability: Triple impact assessments of a tourism event (2013)Limited-dependent and qualitative variables in econometrics (1983)A discrete choice model of consumption of cultural goods: the case of music (2007)Cultural omnivorousness as a combination of highbrow, pop, and folk elements: The relation between taste patterns and attitudes concerning social integration (2008)On the Principles of Political Economy, and Taxation (2014)Towards a new approach of destination loyalty drivers: satisfaction, visit intensity and tourist motivations (2014)Consumer Demand in the United States, 1929-1970; Analyses and Projections (1968)The economics of the national performing arts - exploiting consumer surplus and willingness-to-pay: a case of cultural policy failure? (1999)Demand for Live Theater with Market Segmentation and Seasonality (2002)Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda (2004)The Subsidized Muse: Public Support for the Arts in the United States (1980)On the assumed inelasticity of demand for the performing arts (1992)Public Orchestra Funding in Germany – An Empirical Investigation (1998)A Theory of the Allocation of Time (1965)The Performing Arts: The Economic Dilemma (1973)On the Performing Arts: The Anatomy of their Economic Problems (1997)EMPIRICAL STUDIES OF DEMAND FOR THE PERFORMING ARTS (2006)The Cambridge Economic History of Australia (2014)Predictors of Attendance at the Performing Arts (1980)Culture consumption in Sweden: The stability of gender differences (2000)Music and consumption experience: a review (2011)Increasing young people's attendances at the theatre: a case study in Sheffield, UK (2001)Targeting university students in audience development strategies for opera and ballet (2008)Machine learning methods for the market segmentation of the performing arts audiences (2009)Out of Control: Visceral Influences on Behavior (1996)Doing It Now or Later (1999)Time Discounting and Time Preference: A Critical Review (2002)
this work references cited by second hop

References

  • 1988A Theory of Rational Addiction3,870 cited
  • 1997The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good198 cited
  • 1996A microeconometric study of theatre demand177 cited
  • 1980Unbalanced Growth and the Demand for Performing Arts: An Econometric Analysis136 cited
  • 1984Demand elasticities for symphony orchestras63 cited
  • 1989Major influences on the demand for opera tickets41 cited
  • 1997Pricing as the Key to Attracting Students to the Performing Arts35 cited

Cited by

  • 2016UAE public participation in the musical arts2 cited

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