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Tempus ex Machina: A composer's reflections on musical time
4 references·7 citing·36 second hop
Tempus ex Machina: A composer's reflections on musical time (1987)Tempus ex Machina: A composer's reflectio…Différence et répétition (2013)Différence et répétitionInformation Theory and Esthetic Perception. (1967)Information Theory and Esthet…The Technique of My Musical Language (1957)The Technique of My Musical L…Poetics of Music (1948)Poetics of MusicMelody on the Threshold in Spectral Music (2021)Melody on the Threshold in Sp…Timelines in Spectral Composition: A cognitive approach to musical creativity (2020)Timelines in Spectral Composi…The Skin of Spectral Time in Grisey'sLe Noir de l’Étoile (2018)The Skin of Spectral Time in …Spectral Music and the Appeal to Nature (2018)Spectral Music and the Appeal…The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age (2014)The Spectral Piano: From Lisz…Continuous Harmonic Spaces (2007)Continuous Harmonic SpacesCompositional Models in Xenakis's Electroacoustic Music (1998)Compositional Models in Xenak…Generalized Musical Intervals and Transformations (1988)The Geometry of Musical Chords (2006)Generalized Voice-Leading Spaces (2008)Schubert’s Harmonic Language and Fourier Phase Space (2015)Special Collections (2016)Fourier Phase and Pitch-Class Sum (2019)Classic Music: Expression, Form, and Style (1981)The Tuning of the World (1983)Cultural Reproduction and Social Reproduction (2018)THE ACT OF CREATION (1967)The way we think: conceptual blending and the mind's hidden complexities (2002)The Oxford Handbook of Cognitive Linguistics (2010)Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis’ Psappha (2021)A Theory of Semiotics (1976)On Deconstruction. Theory and Criticism after Structuralism (1984)A Voice and Nothing More (2006)Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès (2024)The Senses Considered as Perceptual Systems (1969)The Principles of Psychology. (1983)Nietzsche and Philosophy (1984)Performing Knowledge (2020)Music, Encounter, Togetherness (2024)On Territory as Relationship and Law as Territory (2006)Deleuzian Intersections. Science, Technology, Anthropology (2011)What Does It Mean to Say That Economics Is Performative? (2020)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Spiritual-temporal imagery in music of Olivier Messiaen and Toru Takemitsu (1993)Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet (2016)Thematic fame and melodic originality in classical music: A multivariate computer-content analysis1 (1980)Symbols and the world system: National anthems and flags (1993)Seeing things: consumer response to the visual domain in product design (2004)Transpositions : Aesthetico-Epistemic Operators in Artistic Research (2018)Characterisation of the Degree of Musical Non-Markovianity (2022)Debussy, "Jeux": Playing with Time and Form (1982)"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style (1999)Evolution of Human Music through Sexual Selection (1999)
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References

  • 2013Différence et répétition558 cited
  • 1957The Technique of My Musical Language161 cited
  • 1967Information Theory and Esthetic Perception.121 cited
  • 1948Poetics of Music62 cited

Cited by

  • 2007Continuous Harmonic Spaces51 cited
  • 2014The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age46 cited
  • 1998Compositional Models in Xenakis's Electroacoustic Music22 cited
  • 2018Spectral Music and the Appeal to Nature18 cited
  • 2020Timelines in Spectral Composition: A cognitive approach to musical creativity11 cited
  • 2021Melody on the Threshold in Spectral Music5 cited
  • 2018The Skin of Spectral Time in Grisey'sLe Noir de l’Étoile3 cited

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