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Blood Splats and Bodily Collapse: Reported Realism and the Perception of Violence in Combat Films and Video Games
16 references·0 citing·27 second hop
Blood Splats and Bodily Collapse: Reported Realism and the Perception of Violence in Combat Films and Video Games (2014)Blood Splats and Bodily Collapse: Reporte…Narrative Comprehension and Film (2013)Narrative Comprehension and F…Narration in the Fiction Film (2013)Narration in the Fiction FilmDigital visual effects in cinema: the seduction of reality (2012)Digital visual effects in cin…Digital Visual Effects in Cinema: The Seduction of Reality (2011)Digital Visual Effects in Cin…Embodied visions: evolution, emotion, culture and film (2010)Embodied visions: evolution, …Figures traced in light: on cinematic staging (2006)Figures traced in light: on c…Classical film violence: designing and regulating brutality in Hollywood cinema, 1930-1968 (2004)Classical film violence: desi…Guts and Glory: The Making of the American Military Image in Film (2002)Guts and Glory: The Making of…Moving pictures: a new theory of film genres, feelings, and cognition (1998)Moving pictures: a new theory…Simulacra and Simulation (1995)Simulacra and SimulationImage and Mind (1995)Image and MindNarrative comprehension and film (1993)Narrative comprehension and f…Breaking the glass armor: neoformalist film analysis (1989)Breaking the glass armor: neo…The World War II Combat Film: Anatomy of a Genre (1988)The World War II Combat Film:…Narration in the Fiction Film (1986)Narration in the Fiction FilmEisenstein's 'Ivan the Terrible': A Neoformalist Analysis (1983)Eisenstein's 'Ivan the Terrib…Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)A Cultural Approach to Television Genre Theory (2001)Moving image theory: ecological considerations (2005)Film tourism – Evolution, progress and prospects (2012)Unit Pride: Ethnic Platoons and the Myths of American Nationality (2001)Memory, war and American identity:Saving Private Ryanas cinematic jeremiad (2002)Listening Niches across a Century of Popular Music (2017)Simulacra and Simulation (2007)The Mediatization of Society (2008)Rethinking Populism: Politics, Mediatisation and Political Style (2013)A cognitive theory of pretense (2000)Mindreading (2003)Simulating Minds (2006)The knowledge management puzzle: Human and social factors in knowledge management (2001)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Visual Narrative Structure (2012)Narrative Complexity in Contemporary American Television (2006)The Routledge Handbook of Multimodal Analysis (2010)Screen Space Reconfigured (2020)Movies on Our Minds (2021)On the realist aesthetics of digital de‐aging in contemporary Hollywood cinema (2021)Mediated Martyrs of the Arab Spring: New Media, Civil Religion, and Narrative in Tunisia and Egypt (2013)Aesthetics as Philosophy of Perception (2016)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)A philosophy of cinematic art (2010)
this work references cited by second hop

References

  • 1995Simulacra and Simulation6,889 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1993Narrative comprehension and film610 cited
  • 1995Image and Mind552 cited
  • 2013Narrative Comprehension and Film444 cited
  • 1998Moving pictures: a new theory of film genres, feelings, and cognition381 cited
  • 1989Breaking the glass armor: neoformalist film analysis225 cited
  • 2012Digital visual effects in cinema: the seduction of reality214 cited
  • 1988The World War II Combat Film: Anatomy of a Genre194 cited
  • 2006Figures traced in light: on cinematic staging135 cited
  • 2010Embodied visions: evolution, emotion, culture and film133 cited
  • 2002Guts and Glory: The Making of the American Military Image in Film97 cited
  • 2011Digital Visual Effects in Cinema: The Seduction of Reality70 cited
  • 2004Classical film violence: designing and regulating brutality in Hollywood cinema, 1930-196869 cited
  • 1983Eisenstein's 'Ivan the Terrible': A Neoformalist Analysis53 cited

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