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In Defense of Pleasure: Musical Theatre History in the Liberal Arts [A Manifesto]
5 references·14 citing·22 second hop
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this work references cited by second hop

References

  • 2004Professing performance: theatre in the academy from philology to performativity174 cited
  • 2010Theatre histories: an introduction141 cited
  • 2003A problem like Maria: gender and sexuality in the American musical140 cited
  • 2001Geographies of Learning: Theory and Practice, Activism and Performance111 cited
  • 2006Performance in America: contemporary U.S. culture and the performing arts87 cited

Cited by

  • 2012Musical Styles and Song Conventions43 cited
  • 2012The Filmed Musical32 cited
  • 2012Tin Pan Alley Songs on Stage and Screen before World War II27 cited
  • 2012The Television Musical27 cited
  • 2012Audiences and Critics19 cited
  • 2012Knowing Your Audience16 cited
  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2012After the “Golden Age”10 cited
  • 2012Evolution of Dance in the Golden Age of the American “Book Musical”6 cited
  • 2012Class and Culture5 cited
  • 2012Performance, Authenticity, and the Reflexive Idealism of the American Musical

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5 cited
  • 2012Sets, Costumes, Lights, and Spectacle4 cited
  • 2012Orchestration and Arrangement: Creating the Broadway Sound3 cited
  • 2012Dance and Choreography3 cited