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NEOPLATONIC LIGHT AND DRAMATIC GENRE IN BUSENELLO'S 'L'INCORONAZIONE DI POPPEA' AND NORIS'S 'IL RIPUDIO D'OTTAVIA'
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NEOPLATONIC LIGHT AND DRAMATIC GENRE IN BUSENELLO'S 'L'INCORONAZIONE DI POPPEA' AND NORIS'S 'IL RIPUDIO D'OTTAVIA' (1999)NEOPLATONIC LIGHT AND DRAMATIC GENRE IN B…The Spanish Alexander (2022)The Spanish AlexanderAlexander the Great in Byzantine Tradition, AD 330–1453 (2022)Alexander the Great in Byzant…Poppea's Legacy: The Julio-Claudians on the Venetian Stage (2005)Poppea's Legacy: The Julio-Cl…Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question (2005)Love as Persuasion in Monteve…Tacitus Incognito: Opera as History in "L'incoronazione di Poppea" (1999)Tacitus Incognito: Opera as H…Between Men (1985)Between Men: English Literature and Male Homosocial Desire. (1985)Feminine Endings: Music, Gender, and Sexuality (1992)Signifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera (2003)Haec Monstra Edidit. Translating Lucan in the Early Seventeenth Century (2013)Seneca and the Interpretation of "L'Incoronazione di Poppea" (1985)Literature and Politics in the Age of Nero (1986)The Song of the Soul: Understanding Poppea (1994)The complete works of Aristotle (1954)Anatomy of Criticism: Four Essays (1959)Gender Trouble: Feminism and the Subversion of Identity (1991)European Literature and the Latin Middle Ages (1954)The Power of Images in the Age of Augustus (1988)The Etymologies of Isidore of Seville (2006)
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  • 1999Tacitus Incognito: Opera as History in "L'incoronazione di Poppea"40 cited
  • 2005Poppea's Legacy: The Julio-Claudians on the Venetian Stage23 cited
  • 2022The Spanish Alexander10 cited
  • 2022Alexander the Great in Byzantine Tradition, AD 330–14535 cited
  • 2005Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question5 cited

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