SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Mapping commercial intertextuality: HBO’s True Blood
6 references·16 citing·41 second hop
Mapping commercial intertextuality: HBO’s True Blood (2011)Mapping commercial intertextuality: HBO’s…The Cultural Industries (2019)The Cultural IndustriesShow sold separately: promos, spoilers, and other media paratexts (2010)Show sold separately: promos,…Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production (2009)Transmedia Storytelling: Impl…‘Celebrating the story the way it is’: cultural studies, corporate media and the contested utility of fandom (2004)‘Celebrating the story the wa…Textual poachers : television fans & participatory culture (1992)Textual poachers : television…Bond and Beyond (1987)Bond and BeyondInculcative address, commercial worldbuilding, and transmedia economy in the children’s franchise Bamse (2023)Inculcative address, commerci…Transmediating difference: Fictional filter bubbles and transmedia storytelling (2021)Transmediating difference: Fi…‘Do you wanna come with me?’: The role of the star image as brand for the commodification of cult in mainstream telefantasy (2019)‘Do you wanna come with me?’:…Affective textualities, generalizations and focalizations: Fan reactions to Twin Peaks’s 2014 paratextual return (2018)Affective textualities, gener…Transmedia storytellng strategy : how and why producers use transmedia storytelling for competitive advantage (2017)Transmedia storytellng strate…Transmedia Storytelling and Mega-Narration: Audiovisual Production in Converged Media Environments (2017)Transmedia Storytelling and M…Transmediality and the Politics of Adaptation: Concepts, Forms, and Strategies (2015)Transmediality and the Politi…The World of The Walking Dead – Transmediality and Transmedial Intermediality (2015)The World of The Walking Dead…Participatory journalism - the (r)evolution that wasn't. Content and user behavior in Sweden 2007-2013 (2015)Participatory journalism - th…Transmedia contents created around Spanish television series in 2013: typology, analysis, overview and trends (2014)Transmedia contents created a…The Paratext of Fan Fiction (2014)The Paratext of Fan FictionPromoting the Vampire Rights Amendment: Public relations, postfeminism and True Blood (2014)Promoting the Vampire Rights …Contenidos transmedia de las teleseries españolas: clasificación, análisis y panorama en 2013 (2014)Contenidos transmedia de las …Unlocking The Vampire Diaries: Genre, Authorship, and Quality in Teen TV horror (2013)Unlocking The Vampire Diaries…Sangre fresca publicitaria: True Blood y las transfusiones de la ficción (2012)Sangre fresca publicitaria: T…Contenidos transmedia de las teleseries españolas: clasificación, análisis y panorama en 2013 (1970)Contenidos transmedia de las …Course in General Linguistics (1960)Desire in Language: A Semiotic Approach to Literature and Art (1981)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Patterns of listening through social media: online fan engagement with the live music experience (2012)The Influence of Paratext on Narrative Persuasion: Fact, Fiction, or Fake? (2012)Paratext and Digitized Narrative: Mapping the Field (2013)Content Analysis: An Introduction to its Methodology. (1984)The Benefits of Facebook “Friends:” Social Capital and College Students’ Use of Online Social Network Sites (2007)The Moral Gatekeeper? Moderation and Deletion of User-Generated Content in a Leading News Forum (2018)Content Analysis: An Introduction to Its Methodology (2019)A phenomenology of news: Understanding news in digital culture (2020)Trolling Journalists and the Risks of Digital Publicity (2020)Enterprising women: television fandom and the creation of popular myth (1992)Publishing studies: Critically mapping research in search of a discipline (2006)To See and Be Seen: Celebrity Practice on Twitter (2011)Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom (2012)Palimpsests: Literature in the Second Degree (1997)Paratexts: Thresholds of Interpretation (1997)The peritextual literacy framework: Using the functions of peritext to support critical thinking (2017)Serial fiction podcasting and participatory culture: Fan influence and representation in The Adventure Zone (2018)Fan fiction y prácticas de lectoescritura transmedia en Wattpad: una exploración de las competencias narrativas y estéticas de adolescentes (2022)Post‐feminism and popular culture (2004)Postfeminist media culture (2007)The Aftermath of Feminism: Gender, Culture and Social Change (2008)Multimodal Discourse: The Modes and Media of Contemporary Communication (2001)LITERACY IN THE NEW MEDIA AGE (2003)Transmedial Storytelling and Transfictionality (2013)Beyond virtuality: from engagement platforms to engagement ecosystems (2014)Rabelais and his world (2020)Immersive netnography: a novel method for service experience research in virtual reality, augmented reality and metaverse contexts (2022)The Sage handbook of media processes and effects (2010)Spreadable Media: Creating Value and Meaning in a Networked Culture (2014)13 "DOES CULTURAL CAPITAL STRUCTURE AMERICAN CONSUMPTION?" (1998) (1998)Consumer Value: A Framework for Analysis and Research (1999)How Brand Community Practices Create Value (2009)The Production of Culture Perspective (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)The rhetorical limits of polysemy (1989)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)TOP GIRLS? (2007)
this work references cited by second hop

References

  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 2019The Cultural Industries1,153 cited
  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 2009Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production569 cited
  • 1987Bond and Beyond285 cited
  • 2004‘Celebrating the story the way it is’: cultural studies, corporate media and the contested utility of fandom57 cited

Cited by

  • 2015Participatory journalism - the (r)evolution that wasn't. Content and user behavior in Sweden 2007-201384 cited
  • 2014The Paratext of Fan Fiction43 cited
  • 2015Transmediality and the Politics of Adaptation: Concepts, Forms, and Strategies27 cited
  • 2014Promoting the Vampire Rights Amendment: Public relations, postfeminism and True Blood18 cited
  • 2014Transmedia contents created around Spanish television series in 2013: typology, analysis, overview and trends16 cited
  • 2017Transmedia Storytelling and Mega-Narration: Audiovisual Production in Converged Media Environments15 cited
  • 2015The World of The Walking Dead – Transmediality and Transmedial Intermediality12 cited
  • 2014Contenidos transmedia de las teleseries españolas: clasificación, análisis y panorama en 2013

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

9 cited
  • 2021Transmediating difference: Fictional filter bubbles and transmedia storytelling7 cited
  • 2012Sangre fresca publicitaria: True Blood y las transfusiones de la ficción7 cited
  • 1970Contenidos transmedia de las teleseries españolas: clasificación, análisis y panorama en 20136 cited
  • 2013Unlocking The Vampire Diaries: Genre, Authorship, and Quality in Teen TV horror6 cited
  • 2019‘Do you wanna come with me?’: The role of the star image as brand for the commodification of cult in mainstream telefantasy5 cited
  • 2017Transmedia storytellng strategy : how and why producers use transmedia storytelling for competitive advantage5 cited
  • 2018Affective textualities, generalizations and focalizations: Fan reactions to Twin Peaks’s 2014 paratextual return2 cited
  • 2023Inculcative address, commercial worldbuilding, and transmedia economy in the children’s franchise Bamse1 cited