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‘That Was Us’: Contemporary Irish Theatre and Performance
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‘That Was Us’: Contemporary Irish Theatre and Performance (2014)‘That Was Us’: Contemporary Irish Theatre…Walks of Experience: Site-Specific Performance Walks, Active Listening and Uncomfortable Witnessing (2020)Walks of Experience: Site-Spe…Experimental Beckett (2020)Experimental BeckettScenic Transitions: From Drama to Experimental Practices in Irish Theatre (2018)Scenic Transitions: From Dram…Other Spaces (Non-theatre Spaces) (2018)Other Spaces (Non-theatre Spa…Irish Theatre: A Designer’s Theatre (2018)Irish Theatre: A Designer’s T…Waking the Feminists: Re-imagining the Space of the National Theatre in the Era of the Celtic Phoenix (2017)Waking the Feminists: Re-imag…Poltergeist, problem or possibility? Curriculum drama in the Republic of Ireland (2016)Poltergeist, problem or possi…Historical duty, palimpsestic time and migration in the Decade of Centenaries (2015)Historical duty, palimpsestic…Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred (2006)Performing remains art and war in times of theatrical reenactment (2011)Performing Remains (2011)The Long Revolution (1961)Out of Our Minds Learning to Be Creative (2002)NA TIO N AL C O UNC I L FOR CURRICUL U M AND AS SE SS MENT (2004)The drama in sociodramatic play: implications for curriculum and pedagogy (2017)The teacher as co-creator of drama: a phenomenological study of the experiences and reflections of Irish primary school teachers (2017)Teacher perspectives on an arts initiative in schools:‘Filling the pail or lighting the fire?’ (2022)Performative Acts and Gender Constitution : An Essay in Phenomenology and Feminist Theory (1988)Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory (1988)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Theatre talk : voices of Irish theatre practitioners (2001)What is Scenography? (2002)Performing the Body in Irish Theatre (2008)Yeats's Nations: Gender, Class, and Irishness (1999)Modernism, drama, and the audience for Irish spectacle (2007)Site-Specific Performance (2010)Theatricality: The Specificity of Theatrical Language (2002)Devising Performance: A Critical History (2005)Postdramatic Theatre (2006)Unclaimed Experience (1996)5. The Practice of Everyday Life (2000)THE PRACTICE OF EVERYDAY LIFE (2018)Steps to an Ecology of Mind (1973)Laboratory Life: The Construction of Scientific Facts (1986)Meeting the Universe Halfway (2007)Samuel Beckett's Geological Imagination (2020)Samuel Beckett and Cultural Nationalism (2021)Absorption and Theatricality (2022)
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Cited by

  • 2018Scenic Transitions: From Drama to Experimental Practices in Irish Theatre19 cited
  • 2020Experimental Beckett19 cited
  • 2016Poltergeist, problem or possibility? Curriculum drama in the Republic of Ireland10 cited
  • 2017Waking the Feminists: Re-imagining the Space of the National Theatre in the Era of the Celtic Phoenix9 cited
  • 2018Irish Theatre: A Designer’s Theatre4 cited
  • 2020Walks of Experience: Site-Specific Performance Walks, Active Listening and Uncomfortable Witnessing4 cited
  • 2018Other Spaces (Non-theatre Spaces)4 cited
  • 2015Historical duty, palimpsestic time and migration in the Decade of Centenaries4 cited

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