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Drama and tragedy in contemporary folk music: Nanci Griffith's “it's a hard life wherever you go”
16 references·0 citing·28 second hop
Drama and tragedy in contemporary folk music: Nanci Griffith's “it's a hard life wherever you go” (1996)Drama and tragedy in contemporary folk mu…Feeling and Form (1953) (2026)Feeling and Form (1953)The New Harvard Dictionary of Music (1988)The New Harvard Dictionary of…The New Harvard Dictionary of Music (1987)The New Harvard Dictionary of…Gandhi and the comic frame: “Ad bellum purificandum” (1986)Gandhi and the comic frame: “…Persuasion and social movements (1984)Persuasion and social movemen…Attitudes Toward History, Third edition (1984)Attitudes Toward History, Thi…The Rhetorical Act (1983)The Rhetorical ActMovements: Confrontation as rhetorical form (1978)Movements: Confrontation as r…Sing a Song of Social Significance. (1976)Sing a Song of Social Signifi…The musical form in rhetorical exchange: Theoretical considerations (1972)The musical form in rhetorica…New approaches to the study of movements: Defining movements rhetorically (1972)New approaches to the study o…Communication and Social Order. (1964)Communication and Social Orde…Communication and Social Order (1963)Communication and Social OrderAmerican Folksongs of Protest (1953)American Folksongs of ProtestThe rhetoric of historical movements (1952)The rhetoric of historical mo…Attitudes toward history (1937)Attitudes toward historyThe “ideograph”: A link between rhetoric and ideology (1980)The rhetoric of identification and the study of organizational communication (1983)Critical rhetoric: Theory and praxis (1989)The Dynamics of Issues Activation and Response: An Issues Processes Model (2001)Transforming Resistance, Broadening Our Boundaries: Critical Organizational Communication Meets Globalization from Below (2005)Resistance leadership: The overlooked potential in critical organization and leadership studies (2007)Words the most like things: Iconicity and the rhetorical text (1990)Counter-Public Enclaves and Understanding the Function of Rhetoric in Social Movement Coalition-Building (2011)Eruptions: heavy metal appropriations of classical virtuosity (1992)Prosodic Processes in Language and Music (2006)Wellbeing and Integration through Community Music: The Role of Improvisation in a Music Group of Refugees, Asylum Seekers and Local Community Members (2019)Simmel's Influence on American Sociology. I (1976)Bureaucracy as Praxis: Toward a Political Phenomenology of Formal Organizations (1978)Social structure in leader‐member interaction (1989)Toward a hermeneutic phenomenology of communication (1977)The Comedian as Portrayer of Social Morality (1988)Ronald Reagan and Humor: A politician's velvet weapon (1990)Roots of the Classical (2004)Writing With Wearables? Young Children’s Intra-Active Authoring and the Sounds of Emplaced Invention (2018)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)Music and Social Movements (2010)Participatory Processes/Paradoxical Practices (2001)Crisis Leadership and Hurricane Katrina: The Portrayal of Authority by the Media in Natural Disasters (2007)Revealing and Reframing Apocalyptic Tragedy in Global Warming Discourse (2009)Space and Place: Humanistic Perspective (1979)Whatever Happened to Organizational Anthropology? A Review of the Field of Organizational Ethnography and Anthropological Studies (1997)The Semiotics of Theatre and Drama (2003)
this work references cited by second hop

References

  • 1937Attitudes toward history803 cited
  • 2026Feeling and Form (1953)729 cited
  • 1984Attitudes Toward History, Third edition414 cited
  • 1964Communication and Social Order.235 cited
  • 1984Persuasion and social movements233 cited
  • 1988The New Harvard Dictionary of Music216 cited
  • 1963Communication and Social Order189 cited
  • 1987The New Harvard Dictionary of Music169 cited
  • 1952The rhetoric of historical movements166 cited
  • 1953American Folksongs of Protest100 cited
  • 1972New approaches to the study of movements: Defining movements rhetorically96 cited
  • 1978Movements: Confrontation as rhetorical form96 cited
  • 1976Sing a Song of Social Significance.78 cited
  • 1986Gandhi and the comic frame: “Ad bellum purificandum”70 cited
  • 1983The Rhetorical Act58 cited
  • 1972The musical form in rhetorical exchange: Theoretical considerations57 cited

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