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Cited by

• 2012The Cambridge History of Musical Performance46 cited
• 1993Le Voir Dit and La Messe de Nostre Dame: aspects of genre and style in late works of MacHaut40 cited
• 2012The performer and the composer10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2012Vocal performance in the Renaissance3 cited
• 2022Emotion and Performance Practices3 cited
• 2012The teaching of performance2 cited
• 2020Bach and the Dance of Humankind2 cited
• 2012Performance in the Renaissance: an overview2 cited
• 2020Musicology and Dance2 cited
• 2012Vocal performance in the twentieth century and beyond2 cited
• 2012Instrumental performance in the ‘long eighteenth century’2 cited
• 2012Musical performance in the twentieth century and beyond: an overview