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Donizetti and His Operas
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  • 2009Form, Program, and Metaphor in the Music of Berlioz83 cited
  • 1999The cult of King Alfred the Great75 cited
  • 1997Ideology in the Iliad : Polis, Basileus, Theoi *63 cited
  • 2017Liszt and the Symphonic Poem56 cited
  • 2011Opera in the Novel from Balzac to Proust52 cited
  • 1992The silencing of Lucia41 cited
  • 1989Genre and content in mid-century Verdi: ‘Addio, del passato’ (La traviata, Act III)40 cited
  • 1992Political Representation and the Chorus in Nineteenth-Century Opera37 cited
  • 2019Semantic Plurality37 cited
  • 2006Opera and Absolutism in Restoration Italy, 1815–186034 cited
  • 1994The lost voice of Rosine Stoltz33 cited
  • 1989Italianate duets in Meyerbeer's grand Operas27 cited
  • 1989The Primo Ottocento Duet and the Transformation of the Rossinian Code26 cited
  • 1986Italian Romanticism and Italian Opera: An Essay in Their Affinities22 cited
  • 2000In Praise of Convention: Formula and Experiment in Bellini's Self-Borrowings20 cited
  • 1996

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Gilbert-Louis Duprez and Gustave Roger in the composition of Meyerbeer's Le Prophète
20 cited