The Films of Andrei Tarkovsky: A Visual Fugue

Péter Kenéz · Vida Taranovski Johnson · Graham Petrie

44 citations0/0 files storedThe Russian Review

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Cinema History and Criticism Visual Culture and Art Theory Ethics, Aesthetics, and Art

Abstract

Acknowledgments A Note on References A Note on Transliteration Introduction Part One 1. A Martyred Artist? 2. Shaping an Aesthetics of Cinema 3. Working Methods Part Two 4. Beginnings: The Steamroller and the Violin and Ivan's Childhood 5. Andrei Roublev 6. Solaris 7. Mirror 8. Stalker 9. Nostalghia 10. The Sacrifice Part Three 11. Imprinted Time: The Development of a Style 12. The Image: Indivisible and Elusive 13. Life as Appearance, Life as a Dream 14. A Dialogue with Art Appendix: Film Symopses Notes Filmography Works Cited Index

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2007The edge of perception: sound in Tarkovsky's Stalker 2010S ooner S peaking than S ilent , S ooner S ilent than M ute : S oviet D eaf T heatre and P antomime after S talin 2013Another Steven Soderbergh experience: authorship and contemporary Hollywood 2014Bach at the Space Station

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