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Remaking the past: musical modernism and the influence of the tonal tradition
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  • 1997Analyzing Music under the New Musicological Regime85 cited
  • 1993The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal84 cited
  • 1991The "Anxiety of Influence" in Twentieth-Century Music37 cited
  • 2007The Music of Louis Andriessen37 cited
  • 2004Innovation and the avant-garde, 1900–2037 cited
  • 2002The Wanderer's Many Returns: Schubert's Variations Reconsidered32 cited
  • 2020Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works29 cited
  • 2014‘A Quiet Corner Where We Can Talk’: Cage's Satie, 1948–195826 cited
  • 2004Twentieth-Century Chamber Music26 cited
  • 1996The Inner Voices of Simple Things: A Conversation with Paul Lansky23 cited
  • 1993Postmodernism, narrativity, and the art of memory21 cited
  • 1991Bartók's Octatonic Strategies: A Motivic Approach21 cited
  • 1991Musical Time and Continuity as a Reflection of the Historical Situation of Modern Composers20 cited
  • 2017Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich.19 cited
  • 1994

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Schoenberg's early Wagnerisms: Atonality and the redemption of Ahasuerus
19 cited
  • 1996Analyzing Music Under the New Musicological Regime17 cited