SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Inks: their Composition and Manufacture
0 references·8 citing·36 second hop
Inks: their Composition and Manufacture (1905)Inks: their Composition and ManufactureLinking historical recipes and ageing mechanisms: the issue of 19th century iron gall inks (2024)Linking historical recipes an…Shedding light on the composition and degradation mechanism of dyes in historical ink's collection (19th-20th century) (2023)Shedding light on the composi…Study of stability of brown-gray inks on paper support (2015)Study of stability of brown-g…An insight into the metal coordination and spectroscopic properties of artistic Fe and Fe/Cu logwood inks (2015)An insight into the metal coo…Spectroscopic analysis of pigments and inks in manuscripts: I. Byzantine and post-Byzantine manuscripts (10–18th century) (2013)Spectroscopic analysis of pig…Characterization of Al(III) complexes with hematein in artistic alum logwood inks (2009)Characterization of Al(III) c…Factors affecting the deterioration of the cellulosic fibres in black-dyed New Zealand flax ( phormium tenax ) (1999)Factors affecting the deterio…A Critical Evaluation of Current Ink Dating Techniques (1987)A Critical Evaluation of Curr…Infrared Spectroscopy in Conservation Science (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Composition and spectroscopic properties of historic Cr logwood inks (2016)Identification of iron gall inks, logwood inks, and their mixtures using Raman spectroscopy, supplemented by reflection and transmission infrared spectroscopy (2024)A Systematic Multianalytical Approach in the Study of Iron–Polyphenolic Complexes in Iron-Gall Inks: Exploring the Potentialities of Raman and Electron Paramagnetic Resonance (2025)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Spectroscopic analysis of pigments and inks in manuscripts. III. Old-Slavonic manuscripts with multicolored rubication (2015)Silver paints in medieval manuscripts: a first molecular survey into their degradation (2018)Composition Analysis of Writing Materials in Cairo Genizah Documents (2021)Analysis of Paper (1972)Preservation of Paper and Textiles of Historic and Artistic Value (1978)Phytate: a Potential Conservation Agent for the Treatment of Ink Corrosion Caused by Irongall Inks (1995)Consolidation of Black-dyed Māori Textile Artefacts: Evaluating the Efficacy of Sodium Alginate (2016)Light-ageing characteristics of Māori textiles: Colour, strength and molecular change (2016)NMR spectroscopy and micro-analytical techniques for studying the constitutive materials and the state of conservation of an ancient Tapa barkcloth from Polynesia, is. Wallis (2020)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Natural Dyes: Sources, Tradition, Technology and Science (2007)All that is iron‐ink is not always iron‐gall! (2008)Historical iron gall ink containing documents — Properties affecting their condition (2005)Spectroscopic evaluation and characterization of different historical writing inks (2005)Iron Gall Inks: On Manufacture, Characterisation, Degradation and Stabilisation (2006)High-performance liquid chromatography and non-destructive three-dimensional fluorescence analysis of early synthetic dyes (2007)An improved methodology for the characterization and identification of sepia in works of art by normal Raman and SERS, complemented by FTIR, Py‐GC/MS, and XRF (2014)Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations (2014)Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Raman analysis of iron gall inks on parchment (2006)New insights into iron-gall inks through the use of historically accurate reconstructions (2018)A Systematic Approach to Ink Identification (1972)Ballpoint Ink Age Determination by Volatile Component Comparison—A Preliminary Study (1985)Determining the Relative Age of Ballpoint Inks Using a Single-Solvent Extraction Technique (1987)On the Relative Aging of Ink—The Solvent Extraction Technique (1987)Determining the Relative Age of Ballpoint Ink Using a Single-Solvent Extraction, Mass-Independent Approach (1989)Dating the ballpoint pen inks using gas chromatography-mass spectrometry technique (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1987A Critical Evaluation of Current Ink Dating Techniques40 cited
  • 1999Factors affecting the deterioration of the cellulosic fibres in black-dyed New Zealand flax ( phormium tenax )26 cited
  • 2013Spectroscopic analysis of pigments and inks in manuscripts: I. Byzantine and post-Byzantine manuscripts (10–18th century)24 cited
  • 2024Linking historical recipes and ageing mechanisms: the issue of 19th century iron gall inks23 cited
  • 2015An insight into the metal coordination and spectroscopic properties of artistic Fe and Fe/Cu logwood inks22 cited
  • 2009Characterization of Al(III) complexes with hematein in artistic alum logwood inks19 cited
  • 2023Shedding light on the composition and degradation mechanism of dyes in historical ink's collection (19th-20th century)16 cited
  • 2015Study of stability of brown-gray inks on paper support10 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work