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Brides Who Travel: Gender, Transnationalism, and Nationalism in Hindi Film
0 references·14 citing·44 second hop
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Cited by

  • 2005Globalizing Bombay Cinema54 cited
  • 2005Transnational America29 cited
  • 2007Phir Bhi Dil Hai Hindustani (Yet the Heart Remains Indian): Bollywood, the ‘Homeland’ Nation-State, and the Diaspora25 cited
  • 2013Jhumpa Lahiri's Feminist Cosmopolitics and the Transnational Beauty Assemblage25 cited
  • 2010‘Shining Indians’: Diaspora and Exemplarity in Bollywood20 cited
  • 2005Local Sites/Global Contexts18 cited
  • 2017‘A feeling you cannot resist’: Shah Rukh Khan, affect, and the re-scripting of male stardom in Hindi cinema18 cited
  • 2008Popular Hindi Film Song Sequences Set in the Indian Diaspora and the Negotiating of Indian Identity16 cited
  • 2012Masculinity, mobility and transformation in Punjabi cinema: FromPutt Jattan De(Sons of Jat Farmers) toMunde UK De(Boys of UK)16 cited
  • 2020Transnational hair (and turban): Sikh masculinity, embodied practices, and politics of representation in an era of global travel13 cited
  • 2013Girls’ Generation? Gender, (Dis)Empowerment, and K-pop11 cited
  • 2008Text, genre, society: Hindi youth films and postcolonial desire11 cited
  • 2017Bollywood Cinema: A Transnational/Cultural Role7 cited
  • 2013Birth, Death, and Resurrection of Group Sound Rock

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5 cited