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The reinvention of a tradition: Nationalism, Carnatic music and the Madras Music Academy, 1900-1947
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The reinvention of a tradition: Nationalism, Carnatic music and the Madras Music Academy, 1900-1947 (1999)The reinvention of a tradition: Nationali…Scoring Tradition, Making Nation: Zubir Said’s Traditionalised Film Music for Dang Anom (2017)Scoring Tradition, Making Nat…Glocal riddim: cultural production and territorial identity in Caribbean music videos (2017)Glocal riddim: cultural produ…Terrains of Bollywood Dance: (Neoliberal) Capitalism and the Transformation of Cultural Economies (2015)Terrains of Bollywood Dance: …Tamil Isai as a Challenge to Brahmanical Music Culture in South India (2008)Tamil Isai as a Challenge to …A language for music (2007)A language for musicContributions to Indian Sociology. New Series. No. III (1971)Passions of the TongueLanguage Devotion in Tamil India, 1891-1970 (1997)Two Men and Music (2005)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)TIME, WORK-DISCIPLINE, AND INDUSTRIAL CAPITALISM (1967)The Forms of Capital (2002)Locating music in capitalism: a view from exile Tibet (2015)Nostalgia, internal migration and the return of Cuban street-vendor songs (2020)Vocal Virtuosity, Value Creation, and the Transformation of Contemporary Gospel Music (2021)Social Formation and Symbolic Landscape (1986)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)The Journal of Pan African Studies (2014)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Nationalist Thought and the Colonial World: A Derivative Discourse (1986)The Ethnic Origins of Nations. (1990)The Effects of Truth: Re‐Presentations of the Past and the Imagining of Community (1988)Rewriting the Script for South Indian Dance (1997)Passions of the tongue: language devotion in Tamil India, 1891-1970 (1998)
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  • 2015Terrains of Bollywood Dance: (Neoliberal) Capitalism and the Transformation of Cultural Economies28 cited
  • 2007A language for music6 cited
  • 2017Glocal riddim: cultural production and territorial identity in Caribbean music videos4 cited
  • 2008Tamil Isai as a Challenge to Brahmanical Music Culture in South India4 cited
  • 2017Scoring Tradition, Making Nation: Zubir Said’s Traditionalised Film Music for Dang Anom4 cited

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