Eyescape: Aesthetics of “Seeing” in Kudiyattam

Abstract

This essay enquires the link between the actor’s eyes, imagination, and the temporal experience of perception in performance. This enquiry is strongly grounded within the aesthetics and praxis of kudiyattam, which is the oldest of the Indian (Sanskrit) theatre forms. Here, the actor’s eyes are treated as a significant category in performance that mediates the generation and perception of images, within both the actor and the spectator.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 5 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.