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The Didjeridu: From Arnhem Land to Internet
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  • 2007The Art of Doing (Geographies of) Music159 cited
  • 1998“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music54 cited
  • 2002Appropriating the Didjeridu and the Sweat Lodge: New Age Baddies and Indigenous Victims?53 cited
  • 2014The Black Pacific: Music and Racialization in Papua New Guinea and Australia50 cited
  • 2000Singing about nations within nations: Geopolitics and identity in Australian indigenous rock music34 cited
  • 2003Going Bush and Finding One's 'Tribe': Raving, escape and the bush doof33 cited
  • 2000Nitmiluk: Place and Empowerment in Australian Aboriginal Popular Music27 cited
  • 2010Aboriginal spirituality in a new age22 cited
  • 2010Land, song, constitution: exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu19 cited
  • 2003The influence of culture on instrumental music teaching: A Participant-Observation case study of Karnatic and Queensland Instrumental music teachers in context.16 cited
  • 2016The local and the global: Traditional musical instruments and modernization15 cited
  • 2019A sound track to ecological crisis: tracing guitars all the way back to the tree14 cited
  • 1998Aboriginal Didjeriduists in Australian education: Cultural workers and border crossers

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14 cited
  • 2009Playing with Others and Selves: Australian Aboriginal Desert Musicians on Tour12 cited
  • 2005Tropes of Longing and Belonging: Nostalgia and Musical Instruments in Northeast Arnhem Land9 cited
  • 2014The Fall and Rise of theNey: From the Sufi Lodge to the World Stage9 cited