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Women and the music profession in Victorian England: The Royal Society of Female Musicians, 1839–1866
14 references·4 citing·33 second hop
Women and the music profession in Victorian England: The Royal Society of Female Musicians, 1839–1866 (1999)Women and the music profession in Victori…The History of the Royal Academy of Music (2009)The History of the Royal Acad…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…The Norton/Grove Dictionary of Women Composers (1996)The Norton/Grove Dictionary o…Godiva's ride: women of letters in England, 1830-1880 (1994)Godiva's ride: women of lette…Women as Musicians: A Question of Class (1993)Women as Musicians: A Questio…Women and music: a history (1992)Women and music: a historyPainting Women: Victorian Women Artists (1987)Painting Women: Victorian Wom…Independent Women: Work and Community for Single Women 1850-1920 (1986)Independent Women: Work and C…The New Grove Dictionary of Music and Musicians. Stanley Sadie (1983)The New Grove Dictionary of M…The New Grove Dictionary of Music and Musicians (1981)The New Grove Dictionary of M…Grove's Dictionary of Music and Musicians (1970)Grove's Dictionary of Music a…The History of the Royal Academy 1768-1986 (1968)The History of the Royal Acad…A dictionary of music and musicians (1887)A dictionary of music and mus…A dictionary of music and musicians (1879)A dictionary of music and mus…Class, Control, and Classical Music (2019)Class, Control, and Classical…Dickens, Dick and Dido: Oliver Twist and the Opera at Home (2016)Dickens, Dick and Dido: Olive…The UK piano teacher in the twenty-first century : exploring common practices, expertise, values, attitudes and motivation to teach (2013)The UK piano teacher in the t…Ladies in the Wheatstone Ledgers: The Gendered Concertina in Victorian England, 1835–1870 (2006)Ladies in the Wheatstone Ledg…Outline of a Theory of Practice (1977)Distinction: A Social Critique of the Judgement of Taste. (1985)Risk Society: Towards a New Modernity (1993)Students’ accounts of grooming and boundary-blurring behaviours by academic staff in UK higher education (2021)“A Man Is Practically the General Norm” – A Case Study of Gender Inequality and Whiteness in the Classical Music Scene in Finland (2022)Mapping innovation in India’s creative industries: an ecosystem framework (2023)Carnivals for elites? The cultural politics of arts festivals (1998)The Total Work of Art in European Modernism (2011)Classical and Romantic Performing Practice (2025)Reflections on Victorian Fashion Plates (2003)Esquisse d'une épistémologie de la théorisation féministe en art (2007)Concerning the Spiritual in Art (2024)Eminence, creativity, and geographical marginality: A recursive structural equation model. (1977)The Decline of Improvisation in Western Art Music: An Interpretation of Change (1992)Agency and Change: Berlioz in Britain, 1870–1920 (2007)“THE WIDOW, THE CLERGYMAN AND THE RECKLESS”: 1 WOMEN INVESTORS IN ENGLAND, 1830—1914 (2006)The Cambridge History of Nineteenth-Century Political Thought (2011)Rereading Heterosexuality (2012)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Central Australian Women's Ritual Music: Knowing through Analysis versus Knowing through Performance (1990)Creative Development as Acquired Expertise: Theoretical Issues and an Empirical Test (2000)Choices in Song Translation (2008)Performing for Strangers: Women, Dance, and Music in Quattrocento Florence (2001)Music in the Early Colonial World (2019)The Cambridge History of Sixteenth-Century Music (2019)The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century (2000)Form, Program, and Metaphor in the Music of Berlioz (2009)The orchestral revolution: Haydn and the technologies of timbre (2013)M eyer's Anvil: Revisiting the Schema Concept (2012)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1981The New Grove Dictionary of Music and Musicians1,234 cited
  • 1986Independent Women: Work and Community for Single Women 1850-1920388 cited
  • 1983The New Grove Dictionary of Music and Musicians. Stanley Sadie145 cited
  • 1970Grove's Dictionary of Music and Musicians126 cited
  • 1879A dictionary of music and musicians121 cited
  • 1987Painting Women: Victorian Women Artists108 cited
  • 1887A dictionary of music and musicians99 cited
  • 1992Women and music: a history86 cited
  • 1994Godiva's ride: women of letters in England, 1830-188079 cited
  • 1993Women as Musicians: A Question of Class39 cited
  • 2009The History of the Royal Academy of Music24 cited
  • 1996The Norton/Grove Dictionary of Women Composers24 cited
  • 1968The History of the Royal Academy 1768-198616 cited

Cited by

  • 2019Class, Control, and Classical Music248 cited
  • 2006Ladies in the Wheatstone Ledgers: The Gendered Concertina in Victorian England, 1835–1870

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5 cited
  • 2013The UK piano teacher in the twenty-first century : exploring common practices, expertise, values, attitudes and motivation to teach5 cited
  • 2016Dickens, Dick and Dido: Oliver Twist and the Opera at Home3 cited