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Witnessing Woyzeck: Theatricality and the Empowerment of the Spectator
6 references·3 citing·26 second hop
Witnessing Woyzeck: Theatricality and the Empowerment of the Spectator (2002)Witnessing Woyzeck: Theatricality and the…The Birth of the Clinic (2012)The Birth of the ClinicPerforming History: Theatrical Representations of the Past in Conetmporary Theatre (2000)Performing History: Theatrica…Linguistics and Poetics (1981)Linguistics and PoeticsVisual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Brecht on Theatre (1964)Brecht on TheatreStyle in Language (1962)Style in LanguageBetween Repetition and Oblivion: Performance, Testimony, and Ontology in the Refugee Determination Process (2013)Between Repetition and Oblivi…Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder (2011)Mind games : applying White’s…The touch and the cut: an annotated dialogue with Kira O'Reilly (2009)The touch and the cut: an ann…Archaeology of Knowledge (1970)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Three Approaches to Qualitative Content Analysis (2005)Mourning Sex: Performing Public Memories (1997)On Being Moved by Performance (2003)Lenin and Philosophy and Other Essays (1971)Postmodernism, or, The cultural logic of late capitalism (1991)Testimony: crises of witnessing in literature, psychoanalysis, and history (1992)Language style as audience design (1984)The four elementary forms of sociality: Framework for a unified theory of social relations. (1992)Indexical order and the dialectics of sociolinguistic life (2003)Club cultures: music, media and subcultural capital (1996)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)From communication to language—a psychological perspective (1974)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Establishing and maintaining long-term human-computer relationships (2005)Chronic illness as biographical disruption (1982)Dilemmas in qualitative health research (2000)Methodology of the Oppressed (2010)Stereotypes and the Media: A Re-evaluation (1986)Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade (1997)Exploring Risky Youth Experiences: Popular Theatre as a Participatory, Performative Research Method (2004):Shakespeare and the Force of Modern Performance (2004)The problem of the color(blind): racial transgression and the politics of black performance (2012)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2012The Birth of the Clinic1,802 cited
  • 1981Linguistics and Poetics1,082 cited
  • 1962Style in Language831 cited
  • 1964Brecht on Theatre408 cited
  • 2000Performing History: Theatrical Representations of the Past in Conetmporary Theatre78 cited

Cited by

  • 2013Between Repetition and Oblivion: Performance, Testimony, and Ontology in the Refugee Determination Process7 cited
  • 2009The touch and the cut: an annotated dialogue with Kira O'Reilly5 cited
  • 2011Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder1 cited

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