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The ‘cori spezzati’ of St Mark's: myth and reality
2 references·16 citing·34 second hop
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this work references cited by second hop

References

  • 1976Venetian Instrumental Music from Gabrieli to Vivaldi56 cited
  • 1998Venetia Citta Nobilissima, Et Singolare55 cited

Cited by

  • 2016The Old Testament and its ancient versions in manuscript and print in the West, fromc. 1480 toc. 178066 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2020A History of Audio Effects43 cited
  • 2016The New Cambridge History of the Bible40 cited
  • 2019Music in the Early Colonial World24 cited
  • 2020Renaissance Polyphony23 cited
  • 2016Theories of interpretation: The quadriga and its successors17 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond

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5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited