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Fascist Imaginaries and Clandestine Critiques: Young Hindi Film Viewers Respond to Violence, Xenophobia and Love in Cross-border Romances
16 references·0 citing·26 second hop
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References

  • 1987Discourse and Social Psychology: Beyond Attitudes and Behaviour4,513 cited
  • 1993Subjectivity and Method in Psychology. Gender, Meaning and Science609 cited
  • 1993CINEMA AND SPECTATORSHIP532 cited
  • 1999Ideology of the Hindi film: a historical construction516 cited
  • 2002Bollywood cinema: temples of desire425 cited
  • 2001Perverse spectators: the practices of film reception203 cited
  • 2002Cinema and Spectatorship202 cited
  • 2000Perverse Spectators: The Practices of Film Reception179 cited
  • 2002Hindu nationalism: origins, ideologies and modern myths173 cited
  • 1998In the Name of the Secular: Contemporary Cultural Activism in India82 cited
  • 2000Movies, Masculinity, and Modernity: An Ethnography of Men's Filmgoing in India72 cited
  • 2003Portrayals of Sexual Violence in Popular Hindi Films, 1997–9949 cited
  • 2007Reading 'Bollywood': the young audience and Hindi films44 cited
  • 2002Vilayati Bollywood: Popular Hindi Cinema-Going and Diasporic South Asian Identity in Birmingham (UK)33 cited
  • 1995The colours of violence30 cited
  • 1999Screening culture, viewing politics : television, womanhood, and nation in modern India

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