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This essay explores Beethoven’s imaginative involvement with Napoleon. It argues that the Emperor never ceased to be an important influence on the composer and shows how Beethoven plotted his career along a Napoleonic trajectory, figuratively constructing himself first as rival and ultimately as inheritor to Napoleon.
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Stored only when both papers are in the corpus — 2 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.