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Schenker's High-Level Motives
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Schenker's High-Level Motives (1992)Schenker's High-Level MotivesForm, Structure, and Musical Drama in Two Mozart Expositions (2006)Form, Structure, and Musical …Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Schenkerian Theory in the Uni…The Path from Tonic to Dominant in the Second Movement of Schubert's String Quintet and in Chopin's Fourth Ballade (2000)The Path from Tonic to Domina…Continuous Exposition and Tonal Structure in Three Late Haydn Works (1999)Continuous Exposition and Ton…An Introductory Essay (1968)Classic Music: Expression, Form, and Style (1981)Phrase Rhythm in Tonal Music (1991)Auxiliary Cadences and the Binary Rondo (2013)Reason, Truth and History (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Critical Scientific Realism (2002)Becoming Heinrich Schenker: music theory and ideology (2015)How Sonata Forms (2022)Schenker's "Motivic Parallelisms" (1978)Analysis by Key: Another Look at Modulation (1987)Sibelius: Symphony No. 5 (1993)The ‘Problem’ of Schubert's String Quintet (2005)Harmony in Chopin (2015)Structural Hearing; Tonal Coherence in Music (1953)Musical Form and Musical Performance (1969)Journal of Music Theoryunder Allen Forte's Editorship (2006)
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  • 2006Form, Structure, and Musical Drama in Two Mozart Expositions24 cited
  • 1999Continuous Exposition and Tonal Structure in Three Late Haydn Works9 cited
  • 2000The Path from Tonic to Dominant in the Second Movement of Schubert's String Quintet and in Chopin's Fourth Ballade6 cited
  • 2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited

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