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State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company
4 references·12 citing·30 second hop
State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company (2002)State v. (Anti-)Art: Model 1,000-Yen Note…Theories and documents of contemporary art: a sourcebook of artists' writings (2013)Theories and documents of con…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Out of Actions: Between Performance and the Object, 1949-1979 (1998)Out of Actions: Between Perfo…Japanese Art After 1945: Scream Against the Sky (1997)Japanese Art After 1945: Scre…Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine (2014)Some Observations Pertaining …Signatures of Motion (2014)Signatures of MotionCartoon Film Theory (2014)Cartoon Film TheoryAnimation, in Theory (2014)Animation, in TheoryAnimating the Instant (2014)Animating the InstantAnimating Film Theory (2014)Animating Film TheoryAndré Martin, Inventor of Animation Cinema (2014)André Martin, Inventor of Ani…1 : : Animation and History (2014)1 : : Animation and History“First Principles” of Animation (2014)“First Principles” of Animati…The Panda Man and the Anti-Counterfeiting Hero: Art, Activism and Appropriation in Contemporary China (2012)The Panda Man and the Anti-Co…Political Economy as Subject and Form in Contemporary Art (2004)Political Economy as Subject …Historicizing “Contemporary Art”: Some Discursive Practices in Gendai Bijutsu in Japan (2004)Historicizing “Contemporary A…Visual Pleasure and Narrative Cinema (1975)Cinema I (1986)The Queer Art of Failure (2011)The 3-D Animated Codescape: Imperfection and Digital Labor Zones in Wall-E (2008) and Wreck-It Ralph (2012) (2016)The Ever-Expanding Scope of Animation Historiography: A Discussion of Interdisciplinary Approaches and Methods (2022)(Inter)(in)animating the Museum: Architecture, Place, Memory (2025)Encyclopedia of Contemporary Japanese Culture (2006)Introduction: Collectivism in Twentieth-Century Japanese Art with a Focus on Operational Aspects of Dantai (2013)Machinic Animism in Japanese Contemporary Art (2022)Understanding Media: The Extensions of Man (1964)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Postmodernism, or, The cultural logic of late capitalism (1991)Traces of the World: Cel Animation and Photography (2016)Animating Chinese cinemas: A preface (2017)Figure and Force in Animation Aesthetics (2019)One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society (2021)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Design in Motion: Introducing Science/Animation (2015)Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer (2015)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Age and the Quality of Work: The Case of Modern American Painters (2000)What is generative art? (2009)The Unbearable Lightness of Being1 (2010)Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues (2000)Was Meiji Taste in Interiors “Orientalist”? (2000)Exhibition, Difference, and the Logic of Culture (2006)Improvisation and Social Aesthetics (2017)The Multisensory Experience of Handling and Reading Books (2020)
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References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 2013Theories and documents of contemporary art: a sourcebook of artists' writings271 cited
  • 1998Out of Actions: Between Performance and the Object, 1949-1979137 cited
  • 1997Japanese Art After 1945: Scream Against the Sky43 cited

Cited by

  • 2014Animating the Instant37 cited
  • 2014“First Principles” of Animation35 cited
  • 20141 : : Animation and History24 cited
  • 2004Historicizing “Contemporary Art”: Some Discursive Practices in Gendai Bijutsu in Japan18 cited
  • 2014Cartoon Film Theory16 cited
  • 2014André Martin, Inventor of Animation Cinema13 cited
  • 2014Signatures of Motion12 cited
  • 2014Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine12 cited
  • 2014Animating Film Theory10 cited
  • 2012The Panda Man and the Anti-Counterfeiting Hero: Art, Activism and Appropriation in Contemporary China8 cited
  • 2014Animation, in Theory7 cited
  • 2004Political Economy as Subject and Form in Contemporary Art

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5 cited