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Emulation: Making Artists for Revolutionary France.
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Cited by

  • 2007‘Pictorial Lies’? — Posters and Politics in Britain c.1880–1914*51 cited
  • 1999Culture and the Arts29 cited
  • 2009The Sartorial Self: Neoclassical Fashion and Gender Identity in France, 1797–180423 cited
  • 2006The Portrait of Citizen Jean-Baptiste Belley, Ex-Representative of the Colonies by Anne-Louis Girodet Trioson: Hybridity, History Painting, and the Grand Tour22 cited
  • 2004Le "Portrait parlant" de Jean-Baptiste Belley21 cited
  • 2014THE NEW OTHER VICTORIANS: THE SUCCESS (AND FAILURE) OF QUEER THEORY IN NINETEENTH-CENTURY BRITISH STUDIES20 cited
  • 2001Cuts and bruises and democratic contestation7 cited
  • 2003The Laws of Bienseance and the Gendering of Emulation in Eighteenth-Century French Art Education4 cited
  • 2003Reading Patriot Art: James Barry's King Lear3 cited
  • 2019Caricature, Pedagogy, and Camaraderie at the French Academy in Rome, 1770–17752 cited
  • 2004The Legacy of a One-woman Show: A Performance History of Julie Candeille's Catherine, ou la belle fermiere2 cited
  • 2012Tracing Marie-Éléonore Godefroid: Women’s Artistic Networks in Early Nineteenth-Century Paris1 cited

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