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Materials and techniques: Early Buddhist wall paintings and sculptures at Sumda Chun, Ladakh
5 references·1 citing·15 second hop
Materials and techniques: Early Buddhist wall paintings and sculptures at Sumda Chun, Ladakh (2014)Materials and techniques: Early Buddhist …Buddhist Sculpture in Clay: Early Western Himalayan Art, Late 10th to Early 13th Centuries (2004)Buddhist Sculpture in Clay: E…Alchi. Ladakh's Hidden Buddhist Sanctuary: The Sumtsek. (1997)Alchi. Ladakh's Hidden Buddhi…The cultural heritage of Ladakh (1977)The cultural heritage of Lada…VERMILION AND CINNABAR (1972)VERMILION AND CINNABAR2. Ultramarine Blue, Natural and Artificial (1966)2. Ultramarine Blue, Natural …Architectural Terracruda Sculptures of the Silk Roads: New Conservation Insights Through a Diagnostic Approach Based on Non-Destructive X-ray Micro-Computed Tomography (2021)Architectural Terracruda Scul…Cross-Sections and Chemical Analysis of Paint Samples (1956)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Cinnabar reviewed: characterization of the red pigment and its reactions (2014)Non-destructive fabric analysis of prehistoric pottery using high-resolution X-ray microtomography: a pilot study on the late Mesolithic to Neolithic site Hamburg-Boberg (2012)Virtual unrolling and deciphering of Herculaneum papyri by X-ray phase-contrast tomography (2016)Inside out: Assessing pottery forming techniques with micro-CT scanning. An example from Middle Neolithic Thessaly (2018)Relating visual and technological styles in Tibetan sculpture analysis (1994)Dreaming the Great Brahmin: Tibetan Traditions of the Buddhist Poet-Saint Saraha (2005)Primitive art of Himalaya (2017)MALACHITE AND GREEN VERDITER (1974)Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy (1997)Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring (2020)Buddhist Wall Paintings at Nako Monastery, North India: Changing of the Technology Throughout Centuries (2017)Powerful Patina: The Value of Odors in a Tibetan Buddhist Temple (2024)
this work references cited by second hop

References

  • 1972VERMILION AND CINNABAR156 cited
  • 19662. Ultramarine Blue, Natural and Artificial99 cited
  • 1977The cultural heritage of Ladakh30 cited
  • 2004Buddhist Sculpture in Clay: Early Western Himalayan Art, Late 10th to Early 13th Centuries16 cited
  • 1997Alchi. Ladakh's Hidden Buddhist Sanctuary: The Sumtsek.13 cited

Cited by

  • 2021Architectural Terracruda Sculptures of the Silk Roads: New Conservation Insights Through a Diagnostic Approach Based on Non-Destructive X-ray Micro-Computed Tomography12 cited

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