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At the Borders of Musical Identity: Schenker, Corelli and the Graces

4 references·3 citing·26 second hop

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References

1993Theory, Text-Setting, and Performance45 cited
1966The Purposes of Transcription37 cited
1991The Editor and the Virtuoso, or Schenker versus Bülow33 cited
1993Schenker and Improvisation23 cited

Cited by

2017Improvisation and Social Aesthetics11 cited
2002Performance and Hypermetric Transformation6 cited
2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited

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