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Al relatar el acontecimiento de la Anunciacion, el Evangelio de Lucas expone la excelsa leccion de humildad dada por la Virgen Maria al proclamarse esclava del Senor cuando recibia el anuncio de su eleccion como Madre de Dios. Semejante actitud moral se convirtio pronto en extraordinario ejemplo de modestia y obediencia para todos los cristianos, tal como fue puesto de manifiesto por numerosos Padres de la Iglesia, teologos y pensadores religiosos a lo largo de los siglos. Nuestro articulo pretende poner en luz que esa significativa leccion de humildad y acatamiento por parte de la Virgen, referida por el evangelio e interpretada con abundancia en fuentes patristicas y teologicas, se reflejo tambien a menudo en las obras de arte, tal como trataremos de poner en evidencia a traves del analisis de doce pinturas medievales. [ABSTRACT] In recounting the event of the Annunciation, the Gospel of Luke describes the sublime lesson of humility given by the Virgin Mary by proclaiming herself the Lord’s slave while she received the announcement of her election as Mother of God. Such a moral stance soon became an outstanding example of modesty and obedience for all Christians, as it was showed by many Church Fathers, theologians and religious thinkers throughout the centuries. Our paper aims to highlight that this significant lesson of humility and submission by the Virgin, reported by the Gospel and frequently interpreted in patristics and theological sources, often reflected also in art works, as we try to put evident through the analysis of twelve medieval paintings.
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