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Nationalism and Hindi Cinema: Narrative Strategies in Fanaa
3 references·4 citing·28 second hop
Nationalism and Hindi Cinema: Narrative Strategies in Fanaa (2009)Nationalism and Hindi Cinema: Narrative S…Yeh mulk hamara ghar : The 'national order of things' and Muslim identity in John Mathew Mattan's Sarfaroosh (2002)Yeh mulk hamara ghar : The 'n…Bombay Films: The Cinema as Metaphor for Indian Society and Politics (1992)Bombay Films: The Cinema as M…Sanctity and scandal: The mythologization of mother India (1989)Sanctity and scandal: The myt…A national cinema’s transnational aspirations? Considerations on “Bollywood” (2017)A national cinema’s transnati…Interrogating Practices of Gender, Religion and Nationalism in the Representation of Muslim Women in Bollywood: Contexts of Change, Sites of Continuity (2015)Interrogating Practices of Ge…Explorations in History, Films and the Nation: A Study of the Representations of Kashmir Insurgency in the Hindi Mainstream Cinema (2014)Explorations in History, Film…Recovering the past in Jodhaa Akbar: Masculinities, Femininities and Cultural Politics in Bombay Cinema (2011)Recovering the past in Jodhaa…Language, Religion and Politics in North India (1975)Language, Religion and Politics in North India. (1976)The Intimate Enemy: Loss and Recovery of Self under Colonialism (1985)India: Makings of Little Cultural/Media Imperialism? (2001)Framing the Feminine: Diasporic Readings of Gender in Popular Indian Cinema (2002)Cinema-going during the Gezi protests: claiming the right to the Emek movie theatre and Gezi Park (2017)The Forest of Symbols: Aspects of Ndembu Ritual (1970)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)The Nation and Its Fragments (1994)Floating on Silent Waters (2009)Inventing a Muscular Global India: History, Masculinity, and Nation in Mangal Pandey: The Rising (2018)Mirrors of violence : communities, riots and survivors in South Asia (1992)National Identity in Indian Popular Cinema, 1947-1987 (1993)Bollywood cinema: temples of desire (2002)Historical Film and Hindu–Muslim Relations in Post-Hindutva India: The Case ofJodhaa Akbar (2016)Image-Music-Text (1977)'Crossroads' Notes on Soap Opera (1981)Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)Is There an Indian Way of Filmmaking? (2007)Gender and Nation (1997)Good Muslim, Bad Muslim: A Political Perspective on Culture and Terrorism (2002)The Concept of National Cinema (1989)Unthinking Eurocentrism: Multiculturalism and the Media (1996)Media worlds: anthropology on new terrain (2003)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Precarious Life: The Powers of Mourning and Violence (2004)Economic and Political Weekly (2017)
this work references cited by second hop

References

  • 1989Sanctity and scandal: The mythologization of mother India84 cited
  • 1992Bombay Films: The Cinema as Metaphor for Indian Society and Politics69 cited
  • 2002Yeh mulk hamara ghar : The 'national order of things' and Muslim identity in John Mathew Mattan's Sarfaroosh14 cited

Cited by

  • 2014Explorations in History, Films and the Nation: A Study of the Representations of Kashmir Insurgency in the Hindi Mainstream Cinema10 cited
  • 2011Recovering the past in Jodhaa Akbar: Masculinities, Femininities and Cultural Politics in Bombay Cinema9 cited
  • 2017A national cinema’s transnational aspirations? Considerations on “Bollywood”6 cited
  • 2015Interrogating Practices of Gender, Religion and Nationalism in the Representation of Muslim Women in Bollywood: Contexts of Change, Sites of Continuity6 cited

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