The Musical Language of Berlioz

James Ellis · Julian Rushton

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

Part I: 1. Background and education (I): 2. Concerning method and style 3. Concerning pitch (I): chord and progression 4. Concerning pitch (2): chromaticism, tonal relations, and modality 5. Education (2): concerning Catel, the guitar, and works of the 1820s Part II: 6. Concerning instrumentation 7. Concerning the bass 8. Concerning counterpoint, pedal, and fugue 9. Concerning rhythm 10. Melody Part III: 11. Vocal forms: Satz and Ursatz 12. Formal schemes in instrumental music 13. The Overture Benvenuto Cellini: an analysis 14. The figure and the background: Faust in La damnation 15. In Conclusion.

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1984The Berlioz Sketchbook Recovered 1982Berlioz's Swan-Song: Towards a Criticism of Béatrice et Bénédict 2004The Concerto that Wasn't: Paganini, Urhan andHarold in Italy 2001Music and the poetic

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