I Wanna Be Me: Rock Music And The Politics Of Identity

Jaqueline Warwick

194 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis American Political and Social Dynamics

Abstract

Preface Acknowledgments Introduction: The Sex Pistols' I Wanna Be Part I: Frameworks 1. Like a Rolling Stone 2. Don't Let Me Be Misunderstood: Issues of Meaning 3. Heard It through the Grapevine 4. You've Really Got a Hold on Me: Paradigms Part II: Issues of Appropriation 5. All You've Got to Do Is Pick It Up 6. Don't Play That Song 7. Message in the Music 8. Speaking in Tongues Part III: Gender 9. Act Naturally 10. Cosi Fan Tutte Meets Tutti Frutti: Rock Performs Gender 11. Rebel Rebel: Proliferating Identities 12. Hello Stranger: Reaching the Uninitiated Notes Sources of Chapter Titles and Subheadings Index

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 194 citations exist upstream.

Cited by

2018Cultural appropriation and the intimacy of groups 2010I Did It My Way: Rock and the Logic of Covers 2009Listening to Rap: Cultures of Crime, Cultures of Resistance 2020Artistic Creation and Ethical Criticism 2016The Cambridge Companion to the Singer-Songwriter 2010Not Another Remix: How Obama Became the First Hip-Hop President 2019Philosophy of Linguistics 2011Musical Pastiche, Embodiment, and Intersubjectivity: Listening in the Second Degree

Imported from OpenAlex (CC0) — nothing here is generated.