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Cited by

• 2007The Art of Doing (Geographies of) Music159 cited
• 20193. The Commodification of Music at the Dawn of the Era of “Mechanical Music”68 cited
• 1995The place of music66 cited
• 2011‘The Condition of M ozart ’: Mozart Year 2006 and the New Vienna46 cited
• 2002The Aims of Music Education: A Preliminary Excursion41 cited
• 2014Records ruin the landscape: John Cage, the sixties, and sound recording37 cited
• 2005The Role of Competition in the Rise of Baroque and Renaissance Music34 cited
• 2003Virtuosity and the Musical Work: The Transcendental Studies of Liszt33 cited
• 2017Pragmatism, Praxis, and Naturalism: The Importance for Music Education of Intentionality and Consummatory Experience in Musical Praxes24 cited
• 2008Musically untrained college students' interpretations of musical notation: sound, silence, loudness, duration, and temporal order23 cited
• 2003What philosophy can bring to music education: musicianship as a case in point22 cited
• 2016The Decline of the Subscriber Base: A Study of the Philharmonia Orchestra Audience20 cited
• 2010Recombinant Poetics: Emergent Meaning as Examined and Explored Within a Specific Generative Virtual Environment20 cited
• 2007Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman