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The Hegemonic Appropriation of Sexuality: The Case of the Lavani Performers of Maharashtra
5 references·16 citing·45 second hop
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this work references cited by second hop

References

  • 2017Economic and Political Weekly8,972 cited
  • 1983The Cambridge Economic History of India404 cited
  • 1986Daughters of Independence: Gender, Caste, and Class in India233 cited
  • 1995The Tribes and Castes of the Central Provinces of India218 cited
  • 1991Dominance and State Power in Modern India: Decline of a Social Order.166 cited

Cited by

  • 2005Globalizing the Facts of Life78 cited
  • 2005The Kothi Wars68 cited
  • 2016Backward Futures and Pasts Forward48 cited
  • 2012Caste, sexuality and labour: The troubled connection48 cited
  • 2015Popular Perceptions of Masculinity in Rural North Indian Oral Traditions44 cited
  • 2011The Brahmin double: the Brahminical construction of anti-Brahminism and anti-caste sentiment in the religious cultures of precolonial Maharashtra44 cited
  • 2016Theorising the interaction of caste, class and gender33 cited
  • 2012Unearthing Gender32 cited
  • 2003Resuscitating Feminist Audience Studies: Revisiting the Politics of Representation and Resistance27 cited
  • 2001Theatrical transvestism in the Parsi, Gujarati and Marathi theatres (1850–1940)20 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2008‘Globalization’ and regional(ist) cinema in Western India: Public culture, private media, and the reproduction of a Hindu national(ist) hero, 1930s–2000s17 cited
  • 2007Taking liberties in festive song9 cited
  • 2014Feminist Social Work8 cited
  • 2021Caste, Desire, and Dalit Queer Resistance in “Geeli Puchhi”8 cited
  • 2019Ethnomusicology Matters4 cited
  • 2022Aambkapad, Chira, Khun, and more – Intercultural Influences on Fabrics of the Peshwas of Pune, India1 cited