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Cinema, spectatorship and propaganda: ‘Battle of the Somme’ (1916) and its contemporary audience
8 references·1 citing·25 second hop
Cinema, spectatorship and propaganda: ‘Battle of the Somme’ (1916) and its contemporary audience (1997)Cinema, spectatorship and propaganda: ‘Ba…The power of film propaganda: myth or reality? (2000)The power of film propaganda:…Viewing positions: ways of seeing film (1995)Viewing positions: ways of se…Interpreting Films: Studies in the Historical Reception of American Cinema. (1993)Interpreting Films: Studies i…Interpreting Films (1992)Interpreting FilmsRites of Spring: The Great War and the Birth of the Modern Age. (1990)Rites of Spring: The Great Wa…Rites of spring: the Great War and the birth of the Modern Age (1989)Rites of spring: the Great Wa…Media, Audience, and Social Structure (1987)Media, Audience, and Social S…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The Great War: Cinema, Propaganda, and The Emancipation of Film Language (2017)The Great War: Cinema, Propag…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Modernity and the Holocaust. (1991)The Language of New Media (2002)VALUE-FRAMING ABORTION IN THE UNITED STATES: AN APPLICATION OF MEDIA SYSTEM DEPENDENCY THEORY (1990)Priming Prejudice How Stereotypes and Counter-Stereotypes Influence Attribution of Responsibility and Credibility among Ingroups and Outgroups (1996)Storytelling Neighborhood (2001)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)From My Lai to Abu Ghraib: The Moral Psychology of Atrocity (2007)Literatuur en moderniteit in Nederland 1840-1990 (2007)The purgatorial shadows of war: Accounting, blame and shell shock pensions, 1914–1923 (2016)Out of the Theaters and Into the Streets: A Coalition Model of the Political Impact of Documentary Film and Video (2004)Counterattack:(Re)contextualizing propaganda (2010)Film Propaganda: Triumph of the Will as a Case Study (2014)Invisibility, homophobia and heterosexism: Lesbians, gays and the media (1993)National, transnational or supranational cinema? Rethinking European film studies (2005)I Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research (2006)The Great War in History (2005)The Great War in history: debates and controversies, 1914 to the present (2006)The evolution of strategy: thinking war from antiquity to the present (2011)RELOCATING AMERICAN FILM HISTORY (2006)In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film (1997)What's the Point of an Index? or, Faking Photographs (2008)Rethinking Research Ethics, Power, and the Risk of Visibility in the Era of the “Alt-Right” Gaze (2018)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1995Viewing positions: ways of seeing film438 cited
  • 1990Rites of Spring: The Great War and the Birth of the Modern Age.351 cited
  • 1992Interpreting Films340 cited
  • 1993Interpreting Films: Studies in the Historical Reception of American Cinema.248 cited
  • 1989Rites of spring: the Great War and the birth of the Modern Age240 cited
  • 1987Media, Audience, and Social Structure122 cited
  • 2000The power of film propaganda: myth or reality?65 cited

Cited by

  • 2017The Great War: Cinema, Propaganda, and The Emancipation of Film Language14 cited

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