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Thelonious Monk, le sculpteur de silence
9 references·2 citing·30 second hop
Thelonious Monk, le sculpteur de silence (2001)Thelonious Monk, le sculpteur de silenceAlchemies of the mind: rationality and the emotions (1999)Alchemies of the mind: ration…Saying something: jazz improvisation and interaction (1997)Saying something: jazz improv…Les institutions du sens (1996)Les institutions du sensThinking in Jazz: The Infinite Art of Improvisation (1995)Thinking in Jazz: The Infinit…L’œuvre de l’art, immanence et transcendance (1994)L’œuvre de l’art, immanence e…Ritual, History and Power: Selected Papers in Anthropology (1992)Ritual, History and Power: Se…The New Grove dictionary of jazz (1989)The New Grove dictionary of j…The Ethnography of Musical Performance (1985)The Ethnography of Musical Pe…Ways of the Hand: The Organization of Improvised Conduct. (1978)Ways of the Hand: The Organiz…L’art de se faire surprendre (2009)L’art de se faire surprendreStandards et standardisation (2006)Standards et standardisationEsquisse d’une théorie de la pratique (1972)Phénoménologie de la perception (1976)Art as Experience (1934) (2026)Signaling, solidarity, and the sacred: The evolution of religious behavior (2003)Virtue Ethics and Consequentialism in Early Chinese Philosophy (2007)The Subject of Virtue: An Anthropology of Ethics and Freedom (2013)Les institutions créatrices de proximités (2008)Should Democracy Come? Ethics and Politics in Derrida (2009)Why Matter Always Matters in (Organizational) Communication (2012)Ironic processes of mental control. (1994)Street Phenomenology (2003)The Practice Turn in Contemporary Theory (2005)Jazz Improvisation: The Joy of Influence (1990)Exoticizing Discoveries and Extraordinary Experiences: "Traditional" Music, Modernity, and Nostalgia in Malta and Other Mediterranean Societies (2000)Ethnomusicological Theory (2010)Creativity and Life Cycles of Artists (2006)Evaluating Excellence in the Arts (2014)L'invention de la restauration des films (2015)Art music from 1800 to 1860 (1998)Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)Consciousness and the varieties of emotion experience: A theoretical framework. (2002)Dissecting the Social (2005)A Tale of Two Cultures: Contrasting Quantitative and Qualitative Research (2006)Modes of communication during jazz improvisation (2005)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Making News at The New York Times (2014)Dead Geographies—And How to Make Them Live (2000)Group creativity: musical performance and collaboration (2006)Music and the materialization of identities (2011)
this work references cited by second hop

References

  • 1999Alchemies of the mind: rationality and the emotions891 cited
  • 1997Saying something: jazz improvisation and interaction788 cited
  • 1978Ways of the Hand: The Organization of Improvised Conduct.391 cited
  • 1995Thinking in Jazz: The Infinite Art of Improvisation291 cited
  • 1992Ritual, History and Power: Selected Papers in Anthropology233 cited
  • 1996Les institutions du sens186 cited
  • 1994L’œuvre de l’art, immanence et transcendance174 cited
  • 1989The New Grove dictionary of jazz81 cited
  • 1985The Ethnography of Musical Performance43 cited

Cited by

  • 2009L’art de se faire surprendre10 cited
  • 2006Standards et standardisation8 cited

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