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Rendering the Sense More Conspicuous: Grammatical and Rhetorical Principles of Vocal Phrasing in Art and Popular/Jazz Music
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Rendering the Sense More Conspicuous: Grammatical and Rhetorical Principles of Vocal Phrasing in Art and Popular/Jazz Music (2004)Rendering the Sense More Conspicuous: Gra…The Music of Nature (2014)The Music of NatureVie de Rossini (2008)Vie de RossiniVocal Authority. Singing Style and Ideology (2002)Vocal Authority. Singing Styl…Towards a Verdian Ideal of Singing: Emancipation from Modern Orthodoxy (2002)Towards a Verdian Ideal of Si…Heart to heart: expressive singing in England, 1780-1830 (2001)Heart to heart: expressive si…Classical and Romantic performing practice, 1750-1900 (2000)Classical and Romantic perfor…Tune Thy Musicke to Thy Hart: The Art of Eloquent Singing in England 1597-1622 (1993)Tune Thy Musicke to Thy Hart:…Popular music analysis and musicology: bridging the gap (1993)Popular music analysis and mu…Early recordings and musical style: changing tastes in instrumental performance, 1900-1950 (1993)Early recordings and musical …Performance practice : music after 1600 (1989)Performance practice : music …Vocal Ornamentation in Verdi: The Phonographic Evidence (1983)Vocal Ornamentation in Verdi:…The Great American Popular Singers (1976)The Great American Popular Si…A rhetorical grammar : or course of lessons in elocution. (1785) (1969)A rhetorical grammar : or cou…Studying Popular Music (1990)Playing with Signs (1991)Studying Popular Music (1991)Configuring the sound-box 1965–1972 (2010)Discourses of unity and purpose in the sounds of fascist music: a multimodal approach (2012)A manifesto for metal studies: Or putting the ‘politics of metal’ in its place (2018)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)Thirty Years' Musical Recollections (2009)A History of Singing (2012)Singing Herself: Adelina Patti and the Performance of Femininity (2018)Classical and Romantic Performing Practice (2025)Beggar at the Door: The Rise and Fall of Portamento in Singing (2006)The End of Early Music (2007)Musical Creativity in Restoration England (2013)The Myth of Venice in Nineteenth-Century Opera (2005)Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris (2006)Singer-Machines: Describing Italian Singers, 1800-1850 (2012)Changing vocal style and technique in Britain during the long nineteenth century (2014)Expressive Tempo Modifications in Adelina Patti's Recordings: An Integrated Approach (2017)Early twentieth-century recordings in higher music education: a preliminary analysis of the students’ views (2024)Non-segmental phonology in language acquisition: A review of the issues (1973)Dionysian Music, Patriotic Sentiment, and Tennyson's Idylls of the King (2007)Musicking — the meanings of performing and listening. A lecture (1999)Anthropology and Voice (2014)The Race of Sound Listening, Timbre, and Vocality in African American Music (2019)Between Process and Product (2001)Loving Music Till It Hurts (2019)“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)Mozart's Requiem: reception, work, completion (2013)
this work references cited by second hop

References

  • 1993Early recordings and musical style: changing tastes in instrumental performance, 1900-1950163 cited
  • 2000Classical and Romantic performing practice, 1750-1900138 cited
  • 1993Popular music analysis and musicology: bridging the gap132 cited
  • 1989Performance practice : music after 160098 cited
  • 2002Vocal Authority. Singing Style and Ideology72 cited
  • 1983Vocal Ornamentation in Verdi: The Phonographic Evidence53 cited
  • 2014The Music of Nature25 cited
  • 1969A rhetorical grammar : or course of lessons in elocution. (1785)22 cited
  • 2002Towards a Verdian Ideal of Singing: Emancipation from Modern Orthodoxy20 cited
  • 2008Vie de Rossini11 cited
  • 1976The Great American Popular Singers11 cited
  • 1993Tune Thy Musicke to Thy Hart: The Art of Eloquent Singing in England 1597-16227 cited
  • 2001Heart to heart: expressive singing in England, 1780-18306 cited

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