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Mastering Masques of Blackness: Jonson's Masque of Blackness, The Windsor text of The Gypsies Metamorphosed, and Brome's The English Moor
8 references·2 citing·30 second hop
Mastering Masques of Blackness: Jonson's Masque of Blackness, The Windsor text of The Gypsies Metamorphosed, and Brome's The English Moor (2009)Mastering Masques of Blackness: Jonson's …Humoring the Body (2004)Humoring the BodyShakespeare Without Women (2002)Shakespeare Without WomenThe Haunted Stage (2001)The Haunted Stage"Counterfeit Egyptians" and Imagined Borders: Jonson's The Gypsies Metamorphosed (2001)"Counterfeit Egyptians" and I…The Politics of the Stuart Court Masque (2000)The Politics of the Stuart Co…Dark Incontinents: The Discourses of Race and Gender in Three Renaissance Masques (1992)Dark Incontinents: The Discou…“Man‐maid, begone!”: Women in Masques (1988)“Man‐maid, begone!”: Women in…Ben Jonson's Parodic Strategy (1987)Ben Jonson's Parodic StrategyRace and Affect: Pleasurable Mixing in Ben Jonson's The Masque of Blackness (2019)Race and Affect: Pleasurable …Performing Blackface Pregnancy at the Stuart Court:The Masque of BlacknessandLove’s Mistress, or the Queen’s Masque (2017)Performing Blackface Pregnanc…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Location of Culture (2012)Capital: A Critique of Political Economy (2020)The Illusion of Power (1975)Blank Darkness: Africanist Discourse in French (1989)The Work of Gender in the Discourse of Discovery (1991)Making Shakespeare (2004)The Shakespearean Stage 1574–1642 (2009)The Stuart Court Masque and Political Culture (2009)Black Skin, The Queen's Masques: Africanist Ambivalence and Feminine Author(ity) in the Masques of Blackness and Beauty (1999)Studies in English Literature (2010)Studies in English Literature 1500–1900 (2025)Women and Mimesis in Medieval and Renaissance Somerset (and Beyond) (1993)Pocahontas at the Masque (1996)Exorcising the Gorgon of Terror: Jonson's Masque of Queenes (2005)Carrying Tempest in his Hand and Voice. The Figure of the Magician in Jonson and Shakespeare (2004)Liking Men: Ben Jonson's Closet Opened (2004)Cruisy Historicism: Sartorial Extravagance and Public Sexual Culture in Ben Jonson’s Every Man Out of His Humour (2016)I Did It My Way: Rock and the Logic of Covers (2010)Performances at Court in the Age of Shakespeare (2019)Still Shakespeare and the Photography of Performance (2019)Early Modern Collaboration and Theories of Authorship (2001)Literature and London (2003)The Cambridge History of Early Modern English Literature (2003)Material Agency, Skills and History: Distributed Cognition and the Archaeology of Memory (2008)Editor's Column: Literature in the Ages of Wood, Tallow, Coal, Whale Oil, Gasoline, Atomic Power, and Other Energy Sources (2011)Climate and Literature (2019)Dido's Ear: Tragedy and the Politics of Response (2001)Reading and the History of Race in the Renaissance (2011)Othello’s Black Handkerchief (2013)
this work references cited by second hop

References

  • 2004Humoring the Body385 cited
  • 2001The Haunted Stage336 cited
  • 2000The Politics of the Stuart Court Masque262 cited
  • 2002Shakespeare Without Women120 cited
  • 1987Ben Jonson's Parodic Strategy51 cited
  • 1992Dark Incontinents: The Discourses of Race and Gender in Three Renaissance Masques19 cited
  • 1988“Man‐maid, begone!”: Women in Masques15 cited
  • 2001"Counterfeit Egyptians" and Imagined Borders: Jonson's The Gypsies Metamorphosed12 cited

Cited by

  • 2017Performing Blackface Pregnancy at the Stuart Court:The Masque of BlacknessandLove’s Mistress, or the Queen’s Masque5 cited
  • 2019Race and Affect: Pleasurable Mixing in Ben Jonson's The Masque of Blackness4 cited

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