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Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment
7 references·16 citing·26 second hop
Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Pre-columbian nanotechnology: reconciling…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Maya Blue: A Computational and Spectroscopic Study (2005)Maya Blue: A Computational an…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…Maya Blue Paint: An Ancient Nanostructured Material (1996)Maya Blue Paint: An Ancient N…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Maya Blue: An Unsolved Proble…Painting Materials : a Short Encyclopedia (1943)Painting Materials : a Short …The chemistry of making color in art (2021)The chemistry of making color…Pigments—the palette of organic colourants in wall paintings (2021)Pigments—the palette of organ…Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)Shades of blue: non-invasive …Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model (2018)Composition and Color of Maya…Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment (2013)Redox Tuning and Species Dist…On the dehydroindigo contribution to Maya Blue (2013)On the dehydroindigo contribu…Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex (2013)Non-invasive investigation of…The first direct evidence of pre-columbian sources of palygorskite for Maya Blue (2012)The first direct evidence of …Chromatographic analysis of indigo from Maya Blue by LC–DAD–QTOF (2012)Chromatographic analysis of i…Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make? (2012)Aged Natural and Synthetic Ma…Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Vibrational investigation of …The Maya Blue Pigment (2011)The Maya Blue PigmentOn the interpretation of the Raman spectra of Maya Blue: a review on the literature data (2010)On the interpretation of the …Insertion of indigo molecules in the sepiolite structure as evidenced by 1H–29Si heteronuclear correlation spectroscopy (2010)Insertion of indigo molecules…Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)Computational Chemistry Meets…A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)A combined synchrotron powder…The Colourful Past - Origins, Chemistry and Identification of Natural Dyestuffs (2005)Pigment Compendium: A Dictionary of Historical Pigments (2007)Spectroscopic and chromatographic analysis of yellow flavonoidic lakes: Quercetin chromophore (2011)Environmental and complexation effects on the structures and spectroscopic signatures of organic pigments relevant to cultural heritage: the case of alizarin and alizarin–Mg(ii)/Al(iii) complexes (2013)Analytical chemistry approach in cultural heritage: the case of Vincenzo Pasqualoni's wall paintings in S. Nicola in Carcere (Rome) (2020)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Mortars and plasters—How mortars were made. The literary sources (2021)Pigments—Arsenic-based yellows and reds (2021)Wall paintings through the ages: the roman period—Republic and early Empire (2021)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Surface‐enhanced Raman spectroscopy spectra of Mexican dyestuffs (2012)Corrosion of ancient Chinese bronze money trees studied by Raman microscopy (1999)A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments (2000)ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach (2006)In situ Raman and IR spectroscopic analysis of indigo dye (2010)Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)Imaging Mass Spectrometry with a Low‐Temperature Plasma Probe for the Analysis of Works of Art (2010)Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)The Invention of Blue and Purple Pigments in Ancient Times (2007)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)
this work references cited by second hop

References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1996Maya Blue Paint: An Ancient Nanostructured Material249 cited
  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited
  • 2005Maya Blue: A Computational and Spectroscopic Study163 cited
  • 1943Painting Materials : a Short Encyclopedia155 cited
  • 1962Maya Blue: An Unsolved Problem in Ancient Pigments118 cited

Cited by

  • 2009A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue100 cited
  • 2021Pigments—the palette of organic colourants in wall paintings60 cited
  • 2010Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives54 cited
  • 2011The Maya Blue Pigment53 cited
  • 2020Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices51 cited
  • 2010On the interpretation of the Raman spectra of Maya Blue: a review on the literature data46 cited
  • 2011Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue44 cited

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2012
Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make?
41 cited
  • 2013Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex40 cited
  • 2013On the dehydroindigo contribution to Maya Blue39 cited
  • 2012The first direct evidence of pre-columbian sources of palygorskite for Maya Blue39 cited
  • 2010Insertion of indigo molecules in the sepiolite structure as evidenced by 1H–29Si heteronuclear correlation spectroscopy31 cited
  • 2013Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment30 cited
  • 2021The chemistry of making color in art27 cited
  • 2018Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model26 cited
  • 2012Chromatographic analysis of indigo from Maya Blue by LC–DAD–QTOF24 cited