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Dekker and Heywood: Professional Dramatists
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  • 2013Environmental Degradation in Jacobean Drama64 cited
  • 1999Weeping for Jane Shore21 cited
  • 2016Sights to make an Alexander? Reading Homer on the early modern stage13 cited
  • 2007Early Modern Tragedy, Gender and Performance, 1984–200010 cited
  • 2009The women of the early modern Turk and Moor plays10 cited
  • 2005Open Ears, Appetite, and Adultery in A Woman Killed with Kindness9 cited
  • 2002Political Allegory in Late Elizabethan and Early Jacobean "Turk" Plays: Lust's Dominion and The Turke9 cited
  • 2004Reading Nascent Capitalism in Part II of Thomas Heywood's If You Know Not Me, You Know Nobody7 cited
  • 2017The Dynamics of Inheritance on the Shakespearean Stage7 cited
  • 2011Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity6 cited
  • 2012The Cambridge Companion to Shakespeare and Contemporary Dramatists6 cited
  • 2008Patient Grissil and Jonsonian Satire3 cited

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