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Zhao Dan: spectrality of martyrdom and stardom
6 references·1 citing·17 second hop
Zhao Dan: spectrality of martyrdom and stardom (2008)Zhao Dan: spectrality of martyrdom and st…The Actress: Hollywood Acting and the Female Star (2006)The Actress: Hollywood Acting…Chinese National Cinema (2004)Chinese National CinemaStardom (2003)StardomThe Sublime Figure of History (1997)The Sublime Figure of HistoryChinese cinema: culture and politics since 1949 (1989)Chinese cinema: culture and p…Dianying/Electric Shadows: An Account of Films and the Film Audience in China (1973)Dianying/Electric Shadows: An…Divided Lenses (2016)Divided LensesEncyclopedia of Chinese film (1999)Female Symbols of Resistance in Chinese Wartime Spoken Drama (1989)‘Journey to the seat of war’: the international exhibition of China in early cinema (2009)Early Film Culture in Hong Kong, Taiwan, and Republican China (2017)Internationalism and Cultural Experience: Soviet Films and Popular Chinese Understandings of the Future in the 1950s (2004)Screening Disability in the PRC (2007)Disability in Contemporary China (2020)Shakespeare and World Cinema (2012)Chinese literature from 1841 to 1937 (2010)CUTENESS AS A SUBTLE STRATEGY (2013)The Great Exodus from China (2020)The personal, the political and the popular (2006)White Women, Race Matters (2010)Branding athletes: Exploration and conceptualization of athlete brand image (2013)“Saved!” by Jena Malone: An introspective study of a consumer's fan relationship with a film actress (2011)‘Old Age’ Films: Golden Retirement, Dispossession and Disturbance (2016)Battle Scars: Wonder Woman, Aesthetic Geopolitics and Disfigurement in Hollywood Film (2018)
this work references cited by second hop

References

  • 2004Chinese National Cinema295 cited
  • 1997The Sublime Figure of History218 cited
  • 2003Stardom191 cited
  • 1989Chinese cinema: culture and politics since 1949125 cited
  • 2006The Actress: Hollywood Acting and the Female Star63 cited
  • 1973Dianying/Electric Shadows: An Account of Films and the Film Audience in China37 cited

Cited by

  • 2016Divided Lenses7 cited

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