SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Blues: An Anthology.
0 references·14 citing·41 second hop
Blues: An Anthology. (1927)Blues: An Anthology.Eepha-Soffa-Dill and Eephing: Found in Ragtime, Jazz, and Country Music, from Broadway to a Texas Plantation (2017)Eepha-Soffa-Dill and Eephing:…W. C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era (2015)W. C. Handy, Abbe Niles, and …Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle (2015)Blues music theory and the so…William Johnson: Barber, Musician, Parable (2014)William Johnson: Barber, Musi…Plantation Song: Delius, Barbershop, and the Blues (2013)Plantation Song: Delius, Barb…Cleaver/Baldwin Revisited: Naturalism and the Gendering of Black Revolution (2012)Cleaver/Baldwin Revisited: Na…Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity (2008)Bill Finegan's Gershwin Arran…Where Did Porgy and Bess Come From? (2006)Where Did Porgy and Bess Come…The Use of Dialect in African-American Spirituals, Popular Songs, and Folk Songs (2004)The Use of Dialect in African…The Three Doc(k)s: White Blues in Appalachia (2003)The Three Doc(k)s: White Blue…An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues , 1929-1937 (2002)An Excursion into the Lower D…Zora Neale Hurston and the Federal Folk (2000)Zora Neale Hurston and the Fe…Literacy and Authenticity: The Blues Poems of Langston Hughes (1996)Literacy and Authenticity: Th…A sense of community: Blues music as primer for urbanization (1990)A sense of community: Blues m…Documentary Expression and Thirties America. (1974)The Burden of Representation: Essays on Photographies and Histories. (1989)Repression and recovery: modern American poetry and the politics of cultural memory, 1910-1945 (1990)The Unbearable Weight of Authenticity: Zora Neale Hurston's Their Eyes Were Watching God and a Theory of "Touristic Reading" (2004)Real Folks (2011)Real folks: race and genre in the Great Depression (2012)Mama's Baby, Papa's Maybe: An American Grammar Book (1987)The Wages of Whiteness: Race and the Making of the American Working Class. (1993)Moonshine and Magnolias: The Story of Temple Drake and The Birth of a Nation (2006)The Wages of Whiteness (2017)Anthology of American Folk Music (1973)Blacks, Whites and Blues (1973)Invisible republic: Bob Dylan's basement tapes (1997)Ragtime Country (2020)The crisis of the Negro intellectual (1967)The Broadway Musical: A Critical and Musical Survey (1992)America's musical life: a history (2001)You can't be serious ! (2008)THE DIASPORA OF WEST AFRICA: THE INFLUENCE OF WEST AFRICAN CULTURES ON “JODY CALLS” IN THE UNITED STATES MILITARY (2009)Performing Catfish Row in the Soviet Union: The Everyman Opera Company andPorgy and Bess, 1955–56 (2017)Slave songs of the United States (1867)African Rhythm and African Sensibility (1982)The New Grove dictionary of music and musicians (2001)Delius and the Sound of Place (2018)The Weary Blues (1931)The book of Negro folklore (1958)Selected Poems of Langston Hughes (1959)Modernism in the Black Diaspora: Langston Hughes and the Broken Cubes of Picasso (2002)This fact which is not one: differential poetics in transatlantic american modernism (2012)The New Negro (1925)Highbrow/Lowbrow (1988)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)The Human Condition (1998)Disidentifications: Queers Of Color And The Performance Of Politics (1999)Aberrations in Black: Toward a Queer of Color Critique (2003)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Jazzing the Classics: Race, Modernism, and the Career of Arranger Chappie Willet (2012)Ragtime: A Musical and Cultural History (1981)Ethnic Music on Records: A Discography of Ethnic Recordings Produced in the United States, 1893 to 1942 (1991)Spreadin' rhythm around: black popular songwriters, 1880-1930 (1999)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1996Literacy and Authenticity: The Blues Poems of Langston Hughes26 cited
  • 2000Zora Neale Hurston and the Federal Folk21 cited
  • 2013Plantation Song: Delius, Barbershop, and the Blues16 cited
  • 2012Cleaver/Baldwin Revisited: Naturalism and the Gendering of Black Revolution14 cited
  • 2017Eepha-Soffa-Dill and Eephing: Found in Ragtime, Jazz, and Country Music, from Broadway to a Texas Plantation13 cited
  • 2006Where Did Porgy and Bess Come From?11 cited
  • 2002An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues , 1929-193711 cited
  • 2015W. C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era6 cited
  • 2003The Three Doc(k)s: White Blues in Appalachia5 cited
  • 2008Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity4 cited
  • 2015Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle4 cited
  • 2004The Use of Dialect in African-American Spirituals, Popular Songs, and Folk Songs4 cited
  • 2014William Johnson: Barber, Musician, Parable3 cited
  • 1990A sense of community: Blues music as primer for urbanization2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work