Drama + Theory: Critical Approaches to Modern British Drama

Peter Buse

30 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Theatre and Performance Studies Literary Theory and Cultural Hermeneutics Modernist Literature and Criticism

Abstract

Introduction 1. What does Jimmy Porter want?: Osborne with Lacan 2. Home front: Pinter with Freud 3. Hamlet games: Stoppard with Lyotard 4. Before Orton, after Foucault 5. Jokes and their relation to interpellation: Griffiths with Althusser 6. Towards a citational history: Churchill with Benjamin 7. Simulacra on Fleet Street: Pravda with Baudrillard 8. Culture and colonies: Wertenbaker with Said 9. Trauma and testimony in Blasted: Kane with Felman Bibliography -- .

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 30 citations exist upstream.

Cited by

2007Blasted's Hysteria: Rape, Realism, and the Thresholds of the Visible 2008"Victim. Perpetrator. Bystander": Melancholic Witnessing of Sarah Kane's 4.48 Psychosis

Imported from OpenAlex (CC0) — nothing here is generated.