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'A Real Shocker': Authenticity, genre and the struggle for distinction
15 references·16 citing·32 second hop
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this work references cited by second hop

References

  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1985Watching Dallas: Soap Opera and the Melodramatic Imagination1,556 cited
  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 1999Film/Genre703 cited
  • 1986Mass Culture as Woman: Modernism’s Other328 cited
  • 1990Monsters and mad scientists: a cultural history of the horror movie300 cited
  • 1994Melodrama and meaning: history, culture, and the films of Douglas Sirk226 cited
  • 1981Art Cinema as Institution164 cited
  • 1996Attack of the leading ladies: gender, sexuality, and spectatorship in classic horror cinema137 cited
  • 1994Melodrama and Meaning97 cited
  • 1995Approaches to popular film94 cited
  • 1996Rational Fears: American Horror in the 1950s57 cited
  • 1996Hollywood cinema: an introduction55 cited
  • 1983The Psychotronic Encyclopedia of Film51 cited
  • 1986Incredibly Strange Films45 cited

Cited by

  • 2004Horror Film and Psychoanalysis35 cited

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2007
Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil
18 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value16 cited
  • 2007Para-Paracinema13 cited
  • 2004Foreword: “What Lies Beneath?”12 cited
  • 2021Pandemic (Movies): A Pragmatic Analysis of a Nascent Genre11 cited
  • 2007Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film9 cited
  • 2004Explaining the Uncanny in The Double Life of Véronique9 cited
  • 2001Manifestations of the Literary Double in Modern Horror Cinema9 cited
  • 2004Afterword: Psychoanalysis and the Horror Film9 cited
  • 2004Violence and Psychophysiology in Horror Cinema8 cited
  • 2014The Cultural Politics of Horror Film Criticism7 cited
  • 2004Manifestations of the Literary Double in Modern Horror Cinema6 cited
  • 2004Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter6 cited
  • 2009Japan’s Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring6 cited