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Cited by

• 2004Patent Inventions - Intellectual Property and the Victorian Novel164 cited
• 2005Invention in Rhetoric and Composition124 cited
• 1993The Sultan and the Slave: Feminist Orientalism and the Structure of "Jane Eyre"116 cited
• 2008The importance of being a ‘lady’: hyper‐femininity and heterosexuality in the private, single‐sex primary school95 cited
• 2015An Empire of Air and Water86 cited
• 2009‘Seeing Through a Glass Darkly’: Wollstonecraft and the Confinements of Eighteenth-Century Femininity57 cited
• 2016Wollstonecraft's Ghost: The Fate of the Female Philosopher in the Romantic Period48 cited
• 2011The Appearance of Print in Eighteenth-Century Fiction48 cited
• 2009The Seduction Narrative in Britain, 1747–180043 cited
• 1986Canon, Ideology, and Gender: Mary Wollstonecraft's Critique of Adam Smith33 cited
• 2003Responsible Creativity and the "Modernity" of Mary Shelley's Prometheus30 cited
• 1995Poisonous Plots: Women Sensation Novelists and Murderesses of the Victorian Period29 cited
• 2000Face, Figure, Physiognomics: Mary Shelley's "Frankenstein" and the Moving Image27 cited
• 2010Austen's Manuscripts and the Publicity of Print27 cited