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Cited by

• 2015The Cambridge Companion to French Music33 cited
• 2015The Renaissance21 cited
• 2012Opera in the Age of Rousseau: Music, Confrontation, Realism19 cited
• 2015Music under Louis XIII and XIV, 1610–171513 cited
• 2015From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX12 cited
• 2010A New View of the Eighteenth-Century 'Abduction' Opera: Edification and Escape at the Parisian 'TheaTres de la foire'5 cited
• 1998Pellegrin, opera and tragedy4 cited
• 2013Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment4 cited
• 2011Marvelous Machines: Revitalizing Enlightenment Opera4 cited
• 2014Hearing Pygmalion’s Kiss: A Scientific Object at the Paris Opéra4 cited
• 1999What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs3 cited
• 2003Enlightenment Aspirations of Progress in Eighteenth-Century German Theory3 cited